What Is A Trap House?


Why do they call it a trap house?

Trap House Meaning – A trap house, also known as a trap spot or trap pad, is a location where illegal drugs are sold and consumed. The term “trap” refers to the idea that the location is a “trap” for individuals who become caught up in the cycle of drug addiction and criminal activity.

  • Trap houses are often located in low-income, urban areas and are known for their association with gang activity and violence.
  • They are typically run by drug dealers who sell a variety of illegal substances, such as crack cocaine, heroin, and marijuana.
  • The individuals who frequent trap houses are often struggling with drug addiction and may engage in criminal activity to support their habit.

They may also be at risk for physical harm, as trap houses are often targeted by law enforcement and rival gangs. The term “trap” in reference to trap houses is also a metaphor for the trap that drug addiction can be, as people may find themselves caught in a cycle of using, selling, and committing crimes to obtain drugs.

What does it mean to live in a trap house?

A trap house is defined as a place where illegal drugs are sold. Also known as a drug house or crack house, trap houses are usually abandoned and shelter drug users. They are also places where drug dealers supply drugs. Trap houses can also be used to synthesize drugs or store products and ingredients.

What is a trap house in black slang?

or trap·house – noun

  1. Slang, a place where illicit drugs are bought, sold, or used.
  2. a shelter from which the clay pigeons are released in trapshooting.

What is an example of a trap house?

Meaning of trap house in English a place, especially an empty house, where illegal drugs are sold : She was selling drugs in a trap house. The gangs use abandoned houses – known as trap houses – for illegal gambling, drugs, and prostitution.

Why are trap houses pink?

2 Chainz explains his real-life pink trap house in Atlanta The real-life trap house that resembles the artwork cover has exploded on social media. “Smoking on a yacht / Call me Ricky Steamboat.” Lines like that made sure 2 went to No.1.2 Chainz is basking in the spoils of great music and marketing as he down-bottom superstar’s Pretty Girls Like Trap Music is the top rap album in the country.

While Chainz has been receiving public praise from celebrities such as Kendrick Lamar and Denver Bronco Pro Bowl and Super Bowl champ Von Miller, it’s the fan interaction that has pushed the LP over the top. The real-life trap house in Atlanta that resembles the artwork cover has exploded on social media with fans coming by to take pics and post on social media at the location.

Chainz has even posted a multitude of supporters on his, “With social media, you can look at Snapchat and see, ‘Wow, I didn’t know this person had this kind of love for this kind of music,” Chainz said Monday on the red carpet of the 2017 NBA Awards.

  • I started peeping it and realizing I need to be happy about what I do,” he said.
  • My background and stuff I been through.
  • My background and trials and tribulations, it makes people want to be a part of it.
  • Trap music is essentially mainstream, it’s essentially pop.” As far as the artwork and the real-life trap house, Chainz said he knew the color would resonate with everyone, especially women.

“When designing the cover to Pretty Girls like Trap Music, I wanted it to be a cover that actually spoke without having words,” Chainz explained. “My concept was shooting an abandoned house or a trap house and I wanted it to be beautiful. The only thing that really defined beauty in a nutshell was the color pink.

  1. I feel like a lot of people, as far as women, can relate to the color pink.
  2. Whether it be good or bad.
  3. Whether it be makeup or maybe even something as sad as breast cancer.
  4. Or whatever it is.
  5. Ids, pink room.
  6. Pink, they embody that whole thing.
  7. I just try to combine pink with something we felt was gutter.

Out the mud. Then you see all the ideas develop behind the pink trap house.” REVOLT and Walmart returned with a new episode of “Receipts,” a show that celebrates limitless potential by putting everyday shoppers with extraordinary talent in the spotlight.

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  3. AlsoI love to see our artists performing, so I’ll definitely be in attendance to see Babyface Ray perform!” “This marks an important historic moment,” Wyclef Jean exclusively told REVOLT.
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“The Caribbean Music Awards created a bridge to unify all Caribbean artists and show the world that are strong in numbers, as well as leaders of the culture.” On this all-new episode of “The Blackprint,” host and REVOLT CEO Detavio Samuels welcomes Angela Yee to discuss growing up in Brooklyn, interning for Wu-Tang Clan, “The Breakfast Club,” and curating her own show.

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  1. I think this generation is more fearless, they take less s**t, they say what they want, and they get it,” Yo-Yo stated in this exclusive interview.
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Read up! “I built my own lane I’m just educating myself on a daily basis,” he told REVOLT in this exclusive interview for Black Business Month. Read up! “I still feel like I haven’t scratched the surface of my capabilities I just want to be the best version of myself,” she acknowledged in this exclusive interview for REVOLT.

  1. Read up! On this all-new episode of “The Jason Lee Show,” the one and only Tiffany Haddish sits for a must-watch conversation about wild interactions with fans, her new movie ‘Haunted Mansion,’ bringing her therapist on dates, and being present.
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  3. For this all-new episode of “On In 5,” singer-songwriter BNXN discusses his journey from IT to music, finding his voice and originality, linking up with Wizkid for their hits “Mood” and “Many Ways,” and what fans can expect from him this year — including a new album.

Watch the full episode here! : 2 Chainz explains his real-life pink trap house in Atlanta

What is a trapper in slang?

Trapper, a slang term for a person who partakes in the illegal drug trade.

What is another name for a trap house?

From Wikipedia, the free encyclopedia “Trap house” and “Crack house” redirect here. For the album, see Trap House, For the film, see Crack House (film), Crack house closure by West Midlands Police in the United Kingdom A drug house (also known as a drug den, crack house, shooting gallery, trap house, or bando ) is a residence used in the illegal drug trade, Drug houses shelter drug users and provide a place for drug dealers to supply them.

What is the trap lifestyle?

INTRODUCTION – The concept of ‘trap life’ is yet to impact on discussions about serious violence in the United Kingdom, apart from some brief references in the academic literature on young people’s involvement in illicit drug markets (see Irwin-Rogers 2019; Storrod and Densley 2017).

News media, politicians, police and even criminologists have failed to recognize the significance of ‘the trap’. The concept derives from street vernacular and is apparent in US and UK rap and grime music scenes (see Ilan 2020; White 2019) as well as UK streetwear brands such as ‘Trapstar’. In musical terms, urban artists ‘rap’ about life in the ‘trap’ (i.e.

the drug economy) and the struggles of growing up in the ‘hood’, poor, with limited opportunities. Wider than the idea of ‘the gang’ it contextualizes criminal motivation within material struggle and emotional pain. Trap life is yet, however, to be sociologically defined.

I do so here, using biographical accounts of men ‘on road’ (i.e. part of a UK specific street culture, see Bakkali 2019; Gunter 2008; Hallsworth and Silverstone 2009; Hallsworth and Young 2011). Trap life goes hand in hand with drug dealing, serious knife crime and gun culture, but it also denotes feelings of imprisonment within a dangerous set of circumstances and mind-states that prevent individuals from ‘moving on’ and transitioning into an included position socio-economically.

The notion of trap life recognizes that for marginalized, urban men an ‘outer world’ of socioeconomic deprivation meshes with an ‘inner world’ of psychological trauma. Despite a strong evidence base linking the simultaneous influence of macro (i.e. social, economic and political) and micro processes on ‘messily complex’ human behaviour, criminologists tend to turn away from analysing how socio-economically marginalized BAME men make sense of the world they inhabit and turn instead, towards developing frameworks for the identification of purely criminogenic characteristics of their lived experiences.

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This criminogenic viewpoint is even more evident when one considers the current discourse concerning ‘County Line’ drug dealing, ( Coomber and Moyle 2017; Densley et al.2018 ; HM Government 2018; National Crime Agency 2019; Mclean et al.2019 ; Windle and Briggs 2015), which has gained sensationalistic public attention.

It would seem that politicians, the police and particular academic discourses do more to tie urban black men to organized, gang-related drug trafficking and exploitation ( Andell and Pitts 2018; National Crime Agency 2017; Robinson et al.2018 ; Spicer et al.2019 ; Windle et al.2020 ), than they do to understand why some marginalized urban men choose to sell drugs or commit robbery.

  • Some of this research has been rather narrow, asserting the primacy of ‘gangs’ as the definitive structures/organizing principles in drug distribution.
  • One difficulty with ‘gang talk’ ( Hallsworth and Young 2008) is its lack of theoretical rigour and poor ability to account for the role of personal history, family of origin, and culture, often trivializing the diverse and complex social worlds the research desperately seeks to describe.

Unfortunately, so many lives end up objectified through this literature. Critically, current understandings of the drug business in London ( Andell and Pitts 2018; Coomber and Moyle 2017; Storrod and Densley 2017) and the violence that takes place within it, offers a thin narrative – one that perpetuates a culture of fear enabling the labelling of black youth as a dangerous ‘criminal other’ ( Keith 1993; Williams and Clarke 2018).

These outdated gang narratives are detrimental for criminology limiting knowledge about urban criminality/violence – and obscuring the varied agentic subjectivities of those existing at the socio-economic margins. Gadd and Jefferson (2007: 1) argue that there is a need to replace the vilified/stigmatized subjects of ‘criminological theorising with recognisably “real” (internally complex, socially situated subjects)’.

There is an urgent need to reframe demonizing discourses that cast marginalized BAME men as the contemporary ‘folk devil’ ( Cohen 1972) without properly exploring the role of trauma, the predicaments of limited opportunity, oppressive surrounding and damaged identities.

Thus, in common with a small body of perspectives that merge sociological and psychological approaches to understanding serious violence and criminality ( Ellis 2016; Gadd and Jefferson 2007; Jones 2008; Treadwell and Garland 2011; Winlow and Hall 2009), I show how socio-economic structures interact with psychological features to shape specific pathways into different kinds of criminal identity (or ‘trapper typology’).

In this article, I argue for the greater use of psychosocial perspectives to understand urban criminality and street violence with a view to centring existential terror and wounding in the ways that these phenomena are understood. While psychosocial criminology already provides a cohesive framework for understanding serious violence in a number of spheres (e.g.

domestic violence, date rape, hate crime, serial murder etc), there remains much more to contribute in psychosocial terms to the study of urban criminality and street culture, especially in the context of the illicit drug economy. Following and developing psychosocial criminology and addressing this gap in knowledge, I introduce new psychosocial understandings of urban male’s ‘trappedness’ on road, theorizing the dynamic interplay between their inner and outer worlds – or what has been referred to as the ‘psycho’ and ‘social’ ( Gadd and Jefferson 2007) in the making of distinct ‘trapper’ identities.

Drawing on ethnographic fieldwork with men ‘on road’, this article pays specific attention to a trapper typology, to establish the different levels of psychosocial ‘trappedness’, and the three different ‘trapper’ identities that emerge in reaction to socioeconomic disadvantage and intrapsychic pain.

  • The trapper typology supplies important nuances into understandings of the different kinds of strategies/dispositions available to socially excluded men in the drug economy.
  • The concept of ‘trap life’ speaks to the dialectical relation between the physical and existential struggle of living with socioeconomic exclusion and psychological vulnerability, and how urban men grapple with issues of life and death.

Developing this novel-to-academia concept, I focus on the importance of constructing viable trapper identities in disenfranchised milieus and the impact these have on self-identity, engagement in violence and diminishing economic opportunities within the socio-economic mainstream.

What is a synonym for trap house?

Synonyms. (place where drugs are sold): dope house.

What is a trap queen in slang?

Originating in drug slang, a trap queen is a strong, loyal woman, often used in hip-hop and black culture.

What is a trap in modern slang?

(slang, informal, sometimes offensive) Of a ‘trap’: to trick a (heterosexual) man into having sex, by appearing to be a woman.

What is a death trap slang?

Meaning of death trap in English something that is very dangerous and could cause death : The car he met me in was a death trap.

What is the most common type of trap?

Traps are your most important tool because they catch the furbearer. Traps can be set either on land or in or near the water, depending on the animal you want to catch. Some types of traps are designed to kill the trapped animal (mechanically powered killing devices). Others are designed to capture the animal alive and unharmed (live-restraining devices).

The most common type of killing devices are bodygrip traps, also called rotating jaw traps. Live-restraining devices include foothold traps, enclosed foothold devices, cage traps, and some types of cable devices. With these traps, you are able to release non-target animals. Some furbearers are found more often in or near water. For these animals, trappers use submersion trapping systems, which hold the animal underwater until it dies. Submersion systems can use either killing devices or live-restraining devices.

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Certain types of traps are illegal because they are unsafe or inhumane.

Deadfalls and traps with teeth are illegal in most states and provinces. Make sure you know which types of traps are legal where you plan to trap.

What Is A Trap House Beaver Slide Set

What is the meaning of T house?

T-house T-House T-House – a talent house, a thought house and a tea house. Under the roof, fresh ideas brew and different perspectives converge. We go beyond the news to explain, analyze and comment on events shaping today’s world and reveal a China you have never seen before.

What is a real life example of a social trap?

What Is A Trap House In psychology, a social trap is a situation where individuals act in their own self-interest to the detriment of long-term interests. These may be either individual interests (individual traps) or collective interests (group traps). The word trap is used to emphasize that making the decision that appears to benefit you most will, long-term, come back to bite.

What is a trap queen house?

Trap is a general term for ‘Trap House’. A trap house is used for storing, packaging and distributing drugs. If I’m not mistaken, the song ‘Trap Queen’ is referring to a guy who meets a nice young lady who ends up cooking up and serving his drugs. Hence, trap queen.

What makes trap unique?

What does trap music mean? – But before we get into how we are witnessing the erasure of the pioneers and contributors of trap music in the mainstream, let’s get into what trap is, for the uninitiated. Trap is characterized by busy hi-hats, heavy sub-bass, gritty, and super rhythmic snares, and deep 808 kick drums.

What is trap house genre?

A definition of trap music – Trap music is a combination of various styles blended together, mostly hip-hop, rap, dubstep, electronic house, and EDM. Though still considered a sub-genre of Hip-Hop, it’s common to find EDM producers and even Pop and R&B artists adding the characteristic trap vibe to their hits.

Regarding rhythm, the fast-paced hi-hats, heavy sub-bass, energetic snare hits, and deep 808 kick drum are the trademarks of trap music ; the melody is secondary but used to further expand the song’s depth and expressiveness. In terms of lyrics, trap music focuses most often on the dangers of drugs and violence in the neighborhoods.

In fact, the word “trap” comes from Atlanta slang, referring to where drugs were kept hidden. Though themes such as drugs and wild lifestyle are often found in trap songs, the genre is more about the sound and rhythm of a song, evolving and spreading to many genres but keeping the characteristic heavy bass and double or triple hi-hat beat.

What does Q mean in drugs?

‘G’ A gram of illegal drugs. ‘Q’ A quarter of an ounce of drugs.

What is man trapping?

A man trap typically includes a door leading into a vestibule or hallway that leads to another door that leads to a secured area. One door has to be closed and locked before the other will open. Thus, ‘trapping’ a person in the vestibule or hall area.

What is a male trapper?

A person who traps; esp., one who traps fur-bearing animals for their skins. Webster’s New World. A boy who opens and shuts a trapdoor in a gallery or level.

How do you know if a house is a trap house?

A house where drugs are sold (and bought and/or taken). Usually an old house with only one way in (or out). If someone comes through the front door to rob the dealers they are trapped in the house as there is no back door to escape from.

What does trap mean in London?

Trap House. Area or house usually and frequently occupied by drug dealers/drug users. Trapping. Selling drugs on the street. Woolies.

What is the meaning of trap in the UK?

Meaning of trap in Essential English Dictionary If someone or something is trapped, they cannot escape from a place or situation : The car turned over, trapping the driver underneath. to catch an animal using a trap. (Definition of trap from the Cambridge Essential Dictionary © Cambridge University Press)

What is a trap called?

How does the verb trap contrast with its synonyms? Some common synonyms of trap are bag, capture, catch, ensnare, entrap, and snare, While all these words mean “to come to possess or control by or as if by seizing,” trap, snare, entrap, ensnare imply seizing by some device that holds the one caught at the mercy of the captor.

Trap and snare apply more commonly to physical seizing. snared butterflies with a net When could bag be used to replace trap ? The words bag and trap can be used in similar contexts, but bag implies shooting down a fleeing or distant prey. bagged a brace of pheasants When is it sensible to use capture instead of trap ? While in some cases nearly identical to trap, capture suggests taking by overcoming resistance or difficulty.

capture an enemy stronghold When might catch be a better fit than trap ? In some situations, the words catch and trap are roughly equivalent. However, catch implies the seizing of something in motion or in flight or in hiding. caught the dog as it ran by How do entrap and ensnare relate to one another, in the sense of trap ? Both entrap and ensnare more often are figurative.