What Does Pog Mean?

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What Does Pog Mean

What does pog slang mean?

2022/11/26. POG. Since the PogChamp emoticon was released in 2012, the word ‘pog’ has come to be a slang word itself, an adjective meaning ‘excellent’, ‘cool’, ‘remarkable’, or ‘awesome’. ‘Pog’, in this sense, can also be used as a stand-alone interjection, essentially meaning ‘Cool!’.

Why do gamers say pog?

What does POG mean on Twitch? – POG is an acronym that means “play of the game”, but is mainly used by gamers as an expression after something incredible, epic, or exciting has taken place. POGGERS can be used synonymously with POG. For example, if a streamer on Twitch just clutched a huge victory they might say, “POG” or even “That was POGGERS!” Similarly, if the streamer makes a big play or hits a big achievement you might see the chat light up sending messages that say “POG” or “POGGERS.” But where did the term POG come from and where did it originate from? I’ll dive into the details of this Twitch jargon below.

What does pog mean for streamers?

What does ‘pog’ mean on Twitch? Play Of the Game. It’s generally used in a versus match up where one player has done something so impressive that it is the ‘play of the game’ that is expected to clinch the victory.

Why is pog a meme?

What Does Pog Mean If you’ve frequented Twitch, or any other platform rooted in gaming, you’ve no doubt seen other users throwing around the phrase “poggers” when someone makes a good play or something crazy happens. But, as so often happens with almost any meme you may encounter in these communities, you may have no idea what the origin and meaning of the word is.

Even though as a gaming/internet meme, poggers was introduced several years back, it dug itself into common internet vernacular and it can be frustrating to understand how or when to use the phrase. On top of that, poggers was involved in a hefty bit of controversy that can be difficult to upack. But have no fear – ggn00b is here for you.

To get to the bottom of it all, it’s actually best to start way back at the beginning. Poggers evolved from a classic emote and meme known as ” pogchamp,” In a 2010 blooper reel from a Youtube show called Cross Counter TV that was put on by Ryan “Gootecks” Gutierrez and Mike Ross, Gootecks made the now iconic face in response to a cameraman accidentally bumping into the tripod they were using.

Soon after in 2011, the pair produced a promo for a special Mad Catz Joystick which featured a throwback game of pogs, At the end of the promo, Gootecks proclaims himself “Pog Champion.” When you put it together, Gootecks face and the viral pogchamp meme took off. Beginning even a couple years earlier in 2008, Pepe the Frog started gaining traction as an internet meme of its own,

Pepe the Frog actually came from a comic created by Matt Furie called Boy’s Club, in which Pepe was one of the main characters. One of the comics took off on the popular website 4chan and the Pepe the Frog meme took off from there. Since then, Pepe has received various treatments for use as emotes in any number of reaction moments. Pepe the Frog as an activist symbol In most normal situations this would actually be the end of the story. We’ve covered the emotes and memes and given the history behind where they came from, but this particular pair of emotes actually have some additional drama around them.

  1. As mentioned, Pepe the Frog gained momentum and popularity once it was shared on 4chan.
  2. Then over the years, 4chan became a sort of haven for white supremacy and the alt-right.
  3. As a result, Pepe the Frog became a meme synonymous with the alt-right, even leading the comic’s creator to release a comic in which he killed off the character,

Similarly, the pogchamp emote also became embroiled in controversy on January 6h of 2021 when an insurrection took place at the US Capitol building. In response to the insurrection, Gootecks tweeted: Will there be civil unrest for the woman who was executed inside the Capitol today or will the #MAGAMartyr die in vain? The video will be aired soon on (banned dot video) & (theresistance dot video) and it sounds pretty gruesome 😔 — gootecks (@gootecks) January 6, 2021 In response, Twitch took quick action deciding to ban the emote from the site forever.

For a while, the platform rotated different streamers in place of Gootecks while trying to make sure the pogchamp meme could live on despite the fact that the original face of the meme was now something of a representative of the unsavory and violent actions of the criminals who stormed the Capitol building.

Since then, Twitch decided to full re-release “pogchamp” with a new face voted on by users – that of a komodo dragon. When all is said and done, I guess it’s important not to get too attached to the emotes and memes we know and love. After all, 2 of Twitch’s most popular and oldest memes have now become associated with some of the most contentious topics in existence today, and as a result one of them has been wholly replaced! Well, there you have it.

What is pog tiktok?

Another definition according to the internet is that POG is an acronym for ‘Play Of the Game ‘ in gaming, but it seems it’s mostly used to mean ‘good.’ Pogchamp is an emote used on Twitch to express excitement.

What is POG in discord?

What does “pog” mean in gaming? Explained ‘Pog’ is a gaming term used to describe something exciting and/or impressive. It’s typically used after a skilful play is made in a game, or in Twitch chat when the audience has been hyped up.

“That character skin is pog” = the character skin looks cool.”Pogggg I can’t believe they hit that” = a player’s made a high-level play.

Is it POG or poggers?

‘ pog’ is used in the Twitch community to mean ‘play of the game’; you can be ‘pogchamp’. Basically, pog or poggers are used as an exclamation on the internet to express delight or joy at whatever the comment sits beneath, which is why it is mostly found in comments sections on YouTube, TikTok and Twitch.

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Who started Poggers?

Are Poggers and Pogs the same? – No, but Poggers comes from the emote PogChamp, created in turn by the viral video of Gootecks and Mike Ross while playing the game Pog.

Is pog good or bad?

‘POG’ means Play Of (the) Game, to most people. However it is derived from the PogChamp(ion) emote on Twich. Whilst other meanings for ‘POG’ exist, you are most likely to see it used by your child if they are into online gaming, where it basically means ‘excellent’ or ‘awesome’.

Can you say pog on Twitch?

Origin – Pog/POGGERS are variations of the popular PogChamp Twitch emote – one of the platform’s most used emotes. Through the Better Twitch TV Google Chrome Extension, users can enter “Pog, PogU, POGGERS, WeirdChamp,” and many other alternatives to have a twist on the OG emote. Ryan Gutierrez The scene that started it all. The original emote originated from Ryan “Gootecks” Gutierrez, a player who became popular in the fighting game community. Subscribe to our newsletter for the latest updates on Esports, Gaming and more. Ryan was filming an episode of his Cross Counter show when a tripod was accidentally knocked over nearby on set.

What is pog and KEKW?

What Does Pog Mean Edgar Cervantes / Android Authority Twitch is home to some of the most entertaining live streams on the planet. However, to keep up with topics and trends, you will need to know what some terms and emotes mean. For example, do you know what KEKW means on Twitch? READ MORE: How to create and download clips on Twitch THE SHORT ANSWER KEKW is an emote used to convey laughter.

L + Ratio is a term people use to mock a post many disagree with and don’t like. Kappa is an emote used to convey sarcasm, irony, and a lack of general seriousness. POG, or “PogChamp,” is an emote used to convey excitement, joy, and hype. Copium, often represented as an emote, is a fictional drug helping the poster deal with loss, depression, or sadness.

KEY SECTIONS

KEKW explained L + Ratio explained Kappa explained POG explained Copium explained

Can you still say pog?

Pog Meaning – Since the PogChamp emoticon was released in 2012, the word “pog” has come to be a slang word itself, an adjective meaning ” excellent “, ” cool “, ” remarkable “, or ” awesome “. “Pog”, in this sense, can also be used as a stand-alone interjection, essentially meaning ” Cool !”.

When did people say pog?

The Persistence of Prog Rock In April, 1971, Rolling Stone reviewed the début album by a band with a name better suited to a law firm: Emerson, Lake & Palmer. The reviewer liked what he heard, although he couldn’t quite define it. “I suppose that your local newspaper might call it ‘jazz-influenced classical-rock,’ ” he wrote.

  1. In fact, a term was being adopted for this hybrid of highbrow and lowbrow.
  2. People called it progressive rock, or prog rock: a genre intent on proving that rock and roll didn’t have to be simple and silly—it could be complicated and silly instead.
  3. In the early nineteen-seventies, E.L.P., alongside several more or less like-minded British groups—King Crimson, Yes, and Genesis, as well as Jethro Tull and Pink Floyd—went, in the space of a few years, from curiosities to rock stars.

This was especially true in America, where arenas filled up with crowds shouting for more, which was precisely what these bands were designed to deliver. The prog-rock pioneers embraced extravagance: odd instruments and fantastical lyrics, complex compositions and abstruse concept albums, flashy solos and flashier live shows.

Concertgoers could savor a new electronic keyboard called a Mellotron, a singer dressed as a batlike alien commander, an allusion to a John Keats poem, and a philosophical allegory about humankind’s demise—all in a single song (“Watcher of the Skies,” by Genesis). In place of a guitarist, E.L.P. had Keith Emerson, a keyboard virtuoso who liked to wrestle with his customized Hammond organ onstage, and didn’t always win: during one particularly energetic performance, he was pinned beneath the massive instrument, and had to be rescued by roadies.

Perhaps this, too, was an allegory. Most of these musicians took seriously the “progressive” in “progressive rock,” and believed that they were helping to hurry along an ineluctable process: the development of rock music into what Jon Anderson, of Yes, once called “a higher art form.” Even more than most musicians, the prog rockers aimed for immortality.

  • We want our albums to last,” Robert Fripp, the austere guitar scientist behind King Crimson, said.
  • In a literal sense, he got his wish: although the progressive-rock boom was effectively over by the end of the seventies, it left behind a vast quantity of surplus LPs, which filled the bins in used-record stores for decades.

(Many people who have never heard this music would nonetheless recognize some of the album covers.) Progressive rock was repudiated by what came next: disco, punk, and the disco-punk genre known as New Wave. Unlike prog rock, this music was, respectively, danceable, concise, and catchy.

  1. In the story of popular music, as conventionally told, progressive rock was at best a dead end, and at worst an embarrassment, and a warning to future musical generations: don’t get carried away.
  2. In place of a guitarist, Emerson, Lake & Palmer had Keith Emerson, a keyboard virtuoso who liked to wrestle with his Hammond organ onstage, and didn’t always win: during one performance, he was pinned beneath the massive instrument, and had to be rescued by roadies.

Photograph by Jorgen Angel / Redferns / Getty The genre’s bad reputation has been remarkably durable, even though its musical legacy keeps growing. Twenty years ago, Radiohead released “OK Computer,” a landmark album that was profoundly prog: grand and dystopian, with a lead single that was more than six minutes long.

  • But when a reporter asked one of the members whether Radiohead had been influenced by Genesis and Pink Floyd, the answer was swift and categorical: “No.
  • We all hate progressive rock music.” It is common to read about some band that worked in obscurity, only to be discovered decades later.
  • In the case of progressive rock, the sequence has unfolded in reverse: these bands were once celebrated, and then people began to reconsider.
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The collapse of prog helped reaffirm the dominant narrative of rock and roll: that pretension was the enemy; that virtuosity could be an impediment to honest self-expression; that “self-taught” was generally preferable to “classically trained.” In the past twenty years, though, a number of critics and historians have argued that prog rock was more interesting and more thoughtful than the caricature would suggest.

  1. The latest is David Weigel, a savvy political reporter for the Washington Post who also happens to be an unabashed fan—or, more accurately, a semi-abashed fan.
  2. His new history of prog rock is called “,” and it begins with its author embarking on a cruise for fans, starring some of the great prog-rock bands of yore, or what remains of them.

“We are the most uncool people in Miami,” Weigel writes, “and we can hardly control our bliss.” Almost no one hated progressive rock as much, or as memorably, as Lester Bangs, the dyspeptic critic who saw himself as a rock-and-roll warrior, doing battle against the forces of fussiness and phoniness.

In 1974, he took in an E.L.P. performance and came away appalled by the arsenal of instruments (including “two Arthurian-table-sized gongs” and “the world’s first synthesized drum kits”), by Emerson’s preening performance, and by the band’s apparent determination to smarten up rock and roll by borrowing from more respectable sources.E.L.P.

had reached the Top Ten, in both Britain and America, with a live album based on its bombastic rendition of Mussorgsky’s “Pictures at an Exhibition.” Bangs wanted to believe that the band members thought of themselves as vandals, gleefully desecrating the classics.

  • Instead, Carl Palmer, the drummer, told him, “We hope, if anything, we’re encouraging the kids to listen to music that has more quality”—and “quality” was precisely the quality that Bangs loathed.
  • He reported that the members of E.L.P.
  • Were soulless sellouts, participating in “the insidious befoulment of all that was gutter pure in rock.” Robert Christgau, the self-proclaimed “dean of American rock critics,” was, if anything, more dismissive: “These guys are as stupid as their most pretentious fans.” “Would you prefer me to hover over you silently or awkwardly try to make small talk?” The story of this reviled genre starts, though, with the most acclaimed popular music ever made.

“If you don’t like progressive rock, blame it on the Beatles,” a philosophy professor named Bill Martin wrote, in his 1998 book, “,” a wonderfully argumentative defense of the genre. Martin is, in his own estimation, “somewhat Marxist,” and he saw progressive rock as an “emancipatory and utopian” movement—not a betrayal of the sixties counterculture but an extension of it.

  1. Martin identified a musical “turning point” in 1966 and 1967, when the Beach Boys released “Pet Sounds” and the Beatles released “Sgt.
  2. Pepper’s Lonely Hearts Club Band,” which together inspired a generation of bands to create albums that were more unified in theme but more diverse in sound.
  3. Using orchestration and studio trickery, these albums summoned the immersive pleasure of watching a movie, rather than the kicky thrill of listening to the radio.

When bands set out to make hit albums, rather than hit singles, some of them abandoned short, sharp love songs and began to experiment with intricate compositions and mythopoetic lyrics. By the dawn of the seventies, the term “progressive rock” was being applied to a cohort of rock-and-roll groups that thought they might be outgrowing rock and roll.

  1. In 1973, Columbia Records released a double-album compilation called “The Progressives.” The liner notes informed listeners that “the boundaries between styles and categories continue to blur and disappear.” But this inclusive musical movement was also, as Weigel emphasizes, a parochial one.
  2. American and British youth music had grown together from the moment the Beatles landed at J.F.K.,” he writes.

“In 1969, the two sounds finally started to grow apart.” Weigel quotes an interview with Lee Jackson, the lead singer of a British rock band called the Nice—Keith Emerson’s previous band. “The basic policy of the group is that we’re a European group,” Jackson said.

We’re not American Negroes, so we can’t really improvise and feel the way they can.” (Ironically, the Nice’s biggest hit was an instrumental version of Leonard Bernstein’s “America.”) In a thoughtful 2009 autobiography, Bill Bruford, a drummer who was central to the development of prog rock, noted that many of the music’s pioneers were “nice middle-class English boys,” singing songs that were “self-consciously British.” Genesis, for instance, was formed at Charterhouse, a venerable boarding school in Surrey; the band’s album “Selling England by the Pound” was an arch and whimsical meditation on national identity.

Bruford pointed out that even Pink Floyd, known for free-form jam sessions and, later, cosmic rock epics, found time to record songs like “Grantchester Meadows,” a gentle ode to the East Anglian countryside. In 1969, King Crimson, the most rigorous and avant-garde of the major prog bands, released what is now considered the genre’s first great album, a strange and menacing début called “In the Court of the Crimson King.” The album used precise dissonance and off-kilter rhythms to evoke in listeners a thrilling sensation of ignorance: you got the feeling that the musicians understood something you didn’t.

  • At a career-making concert in Hyde Park, opening for the Rolling Stones, King Crimson played a ferocious set that ended with an acknowledgment of England’s musical heritage: a rendition of “Mars, the Bringer of War,” by the English composer Gustav Holst.
  • The prog-rock pioneers embraced extravagance.
  • Concertgoers could savor a new electronic keyboard called a Mellotron, a singer dressed as a batlike alien commander, an allusion to a John Keats poem, and a philosophical allegory about humankind’s demise—all in the space of a single song (“Watcher of the Skies,” by Genesis).

Photograph from Shutterstock / REX From the start, King Crimson was the kind of band that musicians love—as opposed, that is, to the kind of band that non-musicians love. (King Crimson never had a hit single, although “21st Century Schizoid Man,” the first song from its first album, served, in 2010, as the basis for “Power,” by Kanye West.) Bill Bruford, the drummer, was astonished by an early King Crimson performance, and resolved to make equally ambitious music with his own band, a sweetly melodic group called Yes.

  • In its own way, Yes, too, was profoundly English—Jon Anderson, the lead singer, generally eschewed faux-American bluesiness, and the band instead deployed pleasing multipart harmonies that recall the choral tradition of the Anglican Church.
  • In 1971, Yes released an album called “Fragile,” which included a hummable—and very progressive—song called “Roundabout.” On the album, it lasted more than eight minutes, but unsentimental record executives trimmed it to three and a half, and the edited version found a home on U.S.
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radio stations. This music, so self-consciously English, sounded different in America, where its rather nerdy creators were greeted as exotic rock stars. That summer, Yes played its first U.S. concert, at an arena in Seattle. A fan who approached Jon Anderson before the show remembered that Anderson was nervous.

  1. I don’t know what is going to happen,” the singer told him.
  2. I’ve never been in a place like this.” When Anderson sang, “I’ll be the roundabout,” most American listeners surely had no idea that he was referring to the kind of intersection known less euphoniously, in the U.S., as a traffic circle.
  3. The song was inspired by the view from a van window.) Why, then, did this music seduce so many Americans? In 1997, a musician and scholar named Edward Macan published “Rocking the Classics,” in which he offered a provocative explanation.

Noting that this artsy music seemed to attract “a greater proportion of blue-collar listeners” in the U.S. than it had in Britain, he proposed that the genre’s Britishness “provided a kind of surrogate ethnic identity to its young white audience”: white music for white people, at a time of growing white anxiety.

Bill Martin, the quasi-Marxist, found Macan’s argument “troubling.” In his view, the kids in the bleachers were revolutionaries, drawn to the music because its sensibility, based on “radical spiritual traditions,” offered an alternative to “Western politics, economics, religion, and culture.” “You can’t judge my parenting skills by what you see in the lobby.” The genre’s primary appeal, though, was not spiritual but technical.

The musicians presented themselves as virtuosos, which made it easy for fans to feel like connoisseurs; this was avant-garde music that anyone could appreciate. (Pink Floyd might be the most popular prog-rock band of all time, but Martin argued that, because the members lacked sufficient “technical proficiency,” Pink Floyd was not really prog at all.) In some ways, E.L.P.

was the quintessential prog band, dominated by Emerson’s ostentatious technique—he played as fast as he could, and sometimes, it seemed, faster—and given to grand, goofy gestures, like “Tarkus,” a twenty-minute suite that recounted the saga of a giant, weaponized armadillo. The members of E.L.P. betrayed no particular interest in songwriting; the group’s big hit, “Lucky Man,” was a fluke, based on something that Greg Lake wrote when he was twelve.

It concluded with a wild electronic solo, played on a state-of-the-art Moog synthesizer, that Emerson considered embarrassingly primitive. An engineer had recorded Emerson warming up, and the rest of the band had to convince him not to replace his squiggles with something more precise—more impressive.

Do people still say poggers?

You may have also noticed that the term Poggers is often used as a slang term in conversation in both Twitch and gaming communities, even when the specific emoticon related to it isn’t around. The strange word even made it to the Urban Dictionary, which describes it as an “Epic Word” that can be used for anything. Poggers

Is Snapchat a POG?

Summary of Key Points for the First Definition – “Awesome, Cool, or Amazing” is the most common definition for POG on Snapchat, WhatsApp, Facebook, Twitter, Instagram, and (especially) TikTok.

POG
Definition: Awesome, Cool, or Amazing
Type: Word
Guessability: 4: Difficult to guess
Typical Users: Adults and Teenagers

What are POG games?

Gameplay – Children in the Philippines playing pogs. Rules vary among players, but the game variants generally have common gameplay features. Each player has their own collection of milk caps and one or more slammers. Before the game, players decide whether or not to play “for keeps”, i.e.

  1. The players each contribute an equal number of milk caps to build a stack, which will be used during the game.
  2. The players take turns throwing their slammer down onto the top of the stack, causing it to spring up and the milk caps to scatter. Each player keeps any milk caps that have flipped over.
  3. After each throw, the milk caps which have not flipped over are then re-stacked for the next player.
  4. When no milk caps remain in the stack, the player with the most pogs is the winner.
  5. Rules can be changed depending on who is playing, and where they are from.

Who is the POG meme?

From Wikipedia, the free encyclopedia The PogChamp emote on Twitch since 2021, which uses the same Komodo dragon image as the KomodoHype emote. PogChamp is an emote used on the streaming platform Twitch intended to express excitement, intrigue, joy or shock. The image originally depicted streamer Ryan “Gootecks” Gutierrez with a surprised or shocked expression, which originated from a YouTube video uploaded to Gutierrez’s channel, Cross Counter TV, on November 26, 2010.

The original emote was added to Twitch’s pool of global emotes in 2012 and was later removed in January 2021, after Gutierrez expressed support for the January 6 United States Capitol attack, Twitch responded to calls to revive the emote by alternating between several unique designs every 24 hours, each using a similar expression, and eventually allowed viewers to vote on one of these faces to become the permanent replacement during what they called “The PogChampening”.

Users voted for an image of a Komodo dragon, which is also the basis for the KomodoHype emote. Ryan Gutierrez was initially reluctant to allow Twitch to use his likeness for the original PogChamp emote, but soon made a deal to allow its use for between US$50,000 and US$100,000 and undisclosed additional concessions.

The emote, like others on Twitch, is displayed at a very small size of 56 by 56 pixels. PC Gamer described the PogChamp emote as “one of the most ubiquitous emotes in Twitch history used to react to decisive moments”, while Kotaku stated it ” surprise and hype”. CNN describes the use of PogChamp as a gamer’s expression for excitement, expanding the use of the PogChamp emote to the word PogChamp and its variants “Pog” and “Poggers” to describe “particularly awesome” moments.

Emotes in general have been reported by CNN to be popularly used ” ad nauseum ” during moments while gamer activity is livestreamed. Given the long history of the use of the PogChamp emote and its variants, Twitch acknowledges the impact of PogChamp’s role in shaping the culture of its streaming services.