Nadja What We Do In The Shadows?

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What ethnicity is Nadja in What We Do in the Shadows?

Career – Demetriou’s debut show, You’ll Never Have All of Me, won the Skinny Debutant Award at the 2014 Edinburgh Festival Fringe, She was a longtime member of sketch comedy troupe Oyster Eyes and has written for Anna & Katy and The Midnight Beast,

Demetriou made her TV debut in 2013. In 2015, she was in the comedy sketch show pilot of People Time on BBC Three with Ellie White, alongside her brother Jamie Demetriou, with Claudia O’Doherty, Liam Williams, Alistair Roberts and Daran Johnson. In 2018 she played sister to her real life brother Jamie Demetriou’s Stath in Channel 4 sitcom, Stath Lets Flats, about a family-run estate agents, which was written and created by her brother.

On 11 May 2020, a special “lockdown” mini-episode was released online due to the COVID-19 pandemic, At the 2020 BAFTA awards Stath Lets Flats won three awards: Best Male Actor in a comedy, Best Writer of a Comedy, and Best Scripted Comedy. In 2019, Demetriou also starred in and wrote the highly acclaimed BBC Three comedy sketch show Ellie & Natasia, a show inspired by social anxiety and being a woman in today’s society, with Ellie White,

  • In March 2020, it was reported that BBC commissioned a six-episode series, but it was delayed due to the COVID-19 pandemic.
  • Since March 2019, Demetriou has starred as Nadja, a Greek Romani vampire, in the critically acclaimed FX horror comedy series What We Do in the Shadows,
  • The series was created by Jemaine Clement and Taika Waititi, based upon their 2014 film of the same name,

The mockumentary follows three vampires (Laszlo, Nadja, and Nandor) living in a house in Staten Island and trying to cope with modern-day New York City, along with an energy vampire (Colin) and Nandor’s human familiar (Guillermo). The show co-stars Kayvan Novak, Matt Berry, Harvey Guillén and Mark Proksch,

  1. The second season of ten episodes debuted in April 2020.
  2. Starting 18 May 2020, Demetriou and Vic Reeves co-hosted Netflix ‘s unscripted reality competition show The Big Flower Fight,
  3. The eight-part series sees 10 pairs of contestants in a knockout competition featuring huge flower installations with the winner going on to design an installation to be displayed in London’s Royal Botanic Gardens, Kew,

In 2021, Demetriou was a series regular on the second series of This Time with Alan Partridge, portraying a flirtatious makeup artist named Tiff.

Who plays Nadja the vampire?

Natasia Demetriou as Nadja Cravensworth – Nadja What We Do In The Shadows Image via FX Natasia Demetriou became an instant breakout star for her performance as the hot-headed Nadja in What We Do in the Shadows, Nadia is the one who bit Laszlo and turned him into a vampire, and they’ve been (mostly) happily married ever since.

Nadja has gotten herself and her companions in more than a few hair-brained schemes over the years, and she’s almost always the ringleader of those schemes. When Nadja and her companions are chosen to be the leaders of New York’s Vampire Council, Nadja is the one who handles most of the day-to-day business, even getting the wild idea of opening a vampire-exclusive nightclub.

Nadja is also almost always accompanied by a Nadja Doll, which is possessed by a ghostly human version of Nadja. In Season 5, Nadja appears to be attempting to give some dating advice to a naive Colin Robinson.

Who is Nandor based on?

This was published 4 years ago As absurd as it might sound, there was a moment in time when the television remake of What We Do In The Shadows might have had the working title of The Real Vampires of Staten Island, During the production of the original 2014 film, writer/producer Jemaine Clement says he and co-writer/producer Taika Waititi joked about turning their story of dramatically ambitious but ultimately feeble bloodsuckers into a franchise, in the style of reality TV franchises such as The Real Housewives, Natasia Demetriou stars as Nadja in the American comedy What We Do In The Shadows, Credit: Fox Showcase “So when the idea of an American show came up, it was immediately obvious to do it like that,” Clement tells The Sydney Morning Herald and The Age, Nandor (Kayvan Novak) is described as an Ottoman Empire-Vlad the Impaler-type vampire. Credit: Fox Showcase Based on the 2014 mockumentary film that followed four vampires who shared a flat in the Wellington, New Zealand, suburb of Te Aro, the television spin-off copies the mockumentary style but shifts the setting to Staten Island, New York.

  1. It follows a new group of vampires – Nandor (Kayvan Novak), Laszlo (Matt Berry), Nadja (Natasia Demetriou) and Colin (Mark Proksch) – who live “in the shadows”, along with their servant human “familiars”, the most significant of which is Nandor’s Guillermo (Harvey Guillen).
  2. While there are some peculiarities of culture between how Americans and Kiwis write comedy and drama, Clement says the issue was not so much that the Kiwi sense of humour would not translate to an American audience but rather how differently the two countries write and relate to their comedy.

“New Zealand comedy is about emotion, whereas American comedy tends to be about menace, so Americans find it quite unusual that we talk about emotions so much,” Clement says. Nandor’s human ‘familiar’ is Guillermo, played by Harvey Guillen. Credit: Fox Showcase “I think it’s something to do with the fact that New Zealand people really don’t express their emotions very much so it’s funny for us to watch people doing it,” Clement says. Matt Berry plays Laszlo, an 18th-century British fop vampire. Credit: Fox Showcase They include not being allowed to go outside in daylight or contact with direct sunlight, not casting a reflection in a mirror, having a phobia of human food, a mortal fear of crosses and the requirement that, in order to enter a premises, the vampire must be invited to cross its threshold.

  1. Clement’s insistence that the show remain faithful to the broader vampire canon delivered one unexpected side-effect to the production: the show had to be largely filmed at night.
  2. When we were writing, Jemaine is always very particular about following the actual rules and we would set scenes, and he’s like, ‘Well, remember, it has to be night time’,” the show’s co-producer Paul Simms says.

“So when we got all the scripts done we realised everything, every time they go out of the house, it’s night time, so, our filming often was starting at 4pm and going until 5am in the morning – which tired people out,” Simms said. The show’s setting of Staten Island was chosen for several reasons – some serious, some not – but most notably, Clement says, because the architecture there was so specific.

  1. Working on Staten Island, when Paul and I talked a lot about where it should be, it felt like there were a lot of old mansions there, so it felt like you could sneak a house full of vampires in without noticing too much,” Clement says.
  2. Assembling the new cast of vampires was surprisingly simple, he says.

“Just imagining people to do it, and then they would suggest a character,” Clement says. “I knew I wanted Matt Berry in it, and he’s a strong flavour, he’s easy to write for, he’s easy to imagine, at least, because he seems like he’s from a different decade anyway.” As with the film, the vampire characters are individual nods to different pre-existing vampire tropes.

  1. Nandor, for example, is described as an Ottoman Empire-Vlad the Impaler-type vampire, while Matt Berry’s Laszlo is an 18th-century British fop, more in the style of Stoker’s “English drawing room vampire”, Dracula.
  2. Nadja, in contrast, is a gypsy girl from a small, rural village of the sort often found in Hammer Studios horror films, while Colin is an “energy vampire” whose skill is less about sucking blood and more about the kind of banal small talk that exhausts those exposed to it.

(Fun in-universe fact: once drained in such a way, victims are effectively inedible to other vampires.) What We Do In The Shadows is ripe with subtle and overt references to masterpieces of the genre, notably the film Bram Stoker’s Dracula, directed by Francis Ford Coppola, and The Lost Boys, directed by Joel Schumacher, about a gang of vampires who stalk the boardwalk of a California beach town.

  1. There are also references to Interview with the Vampire, which was directed by Neil Jordan and based on Anne Rice’s novel of the same name, which followed the vampires Lestat and Louis through centuries of their lives.
  2. Even the Twilight movies, which grossed $US3.3 billion at the box office before a stake was finally driven into it, get a nod, though there seems to be a sneering disapproval of the overly-romantic themes of the Twilight story from the Shadows -type vampires.

In truth, however, Clement’s real inspiration dates further back, to the famous Hammer Studios horror film The Scars of Dracula, the sixth of nine Dracula features released by Hammer between 1958 and 1974. The film, released in 1970, was directed by Roy Ward Baker from Anthony Hinds’ screenplay.

  1. Notably it includes a story element that Clement has used here, which is the “vampire’s familiar”, a human thrall who guards the vampire’s crypt during the daylight hours.
  2. I was five, I got up, I could hear my parents watching TV, and I remember the scene of this bat, flying above a tomb, dropping blood on a skeleton and becoming Christopher Lee,” Clement recalls.

“I’d never seen anything like that. Definitely it is part of the reason we’re doing this now. “It’s so funny now, it wasn’t just scary to me, it was exciting. The idea of, when you’re that age, you’re just getting used to the idea of people dying and nobody lives forever, and then: oh, they can come back, all right.” While the series is very funny, there is a subtle and serious resonance in the work.

  1. There is, says Clement, a great relatability to the vampires, a group who live on the fringes of society, ostracised and deeply misunderstood.
  2. Anyone who lives on the margins, immigrants, anyone who the little subcultures at school that no one kind of looks at and kind of ignores,” Clement says.
  3. Sometimes they are bullied and pushed around, they are groups that are not in the mainstream, and in order to live they hide, they’re hiding in the shadows of the classroom.

“But there’s another theme that goes with that, which is human nature is such that if you were to live forever, humans could get to live forever, our nature is that we’re too lazy to do anything with that time,” he adds. “And we’ll always put stuff off, I’m gonna learn the violin tomorrow, because that’s what we’re like.

Who made the Nadja doll from What We Do in the Shadows?

Behind the scenes –

The doll the ghost possesses is an animatronic puppet designed and operated by Paul Jones, All its movements were done animatronically, except the mouth, which was CGI and animated by Bob Munroe, Costume designer Amanda Neale made the doll’s outfits and hairstylist Tamara Harrod styled the doll’s hair, both often done to match human Nadja’s appearance at the time.

Is Nadja a gypsy?

Human life – Nadja was born in Greece sometime during the 15th century to an impoverished Romani family during her human life. Her village, located on the island of Antipaxos, was once a utopia, until it was razed to the ground by the army of an unknown warrior (who’s identity she would later discover as her future roommate, Nandor the Relentless ) around 200 years before she was born. Nadja What We Do In The Shadows Nadja’s mother. Nadja’s family was very poor, and had to burn donkey dung (and eventually the donkeys themselves) for warmth. When Nadja was young, her mother gave Nadja her own jade necklace just before she left and was promptly eaten by a bear; her dying screams were apparently absorbed by the necklace.

  1. It is unclear how Nadja became a vampire, as she tells an entirely different story which conflicts with her husband, Laszlo’s own account.
  2. Nadja claims that she was turned while working as a throat singer while singing to the island’s snakes when a female vampire (in the form of a snake) bit and turned her.

Nadja was subsequently chased off the island by her fellow villagers, which included her family. However, according to Laszlo, it was Baron Afanas who turned her.

What kind of accent does Nadja have?

WHAT WE DO IN THE SHADOWS: Natasia Demetriou takes a bite out of new FX comedy – Exclusive Interview By ABBIE BERNSTEIN / Staff Writer Posted: March 28th, 2019 / 03:44 PM Natasia Demetriou as Nadja, Matt Berry as Laszlo in WHAT WE DO IN SHADOWS – Season 1| ©2019 FX/Byron Cohen FX’s new vampire mockumentary series WHAT WE DO IN THE SHADOWS, premiering Wednesday March 27, is based on the 2014 feature film.

  1. Both are created by Taika Waititi and Jemaine Clement (Cori Gonzalez-Macuer also worked on the film script), and both revolve around small groups of vampires who believe they’re a lot cooler than they really are.
  2. However, in the TV version of WHAT WE DO IN THE SHADOWS, the story is set in Staten Island, New York, rather than the movie’s New Zealand, and we’ve got a whole new group of vamps (Clement and Waititi, who both starred in the film, are still involved as writers/executive producers).

Their exploits are chronicled by a documentary crew. Natasia Demetriou plays Nadja, an Eastern European/Greek vampire who is perpetually exasperated by her two roommates, the somewhat courtly Laszlo (Matt Berry) and the huge warrior Nandor (Kayvan Novak).

  1. Early on, Nadja decides to help out a nerdy college student (Beanie Feldstein) by turning her.
  2. Meanwhile, the vampires’ leader, the Count (Doug Jones), expects them all to get on with the business of conquering Staten Island, which they’re not really equipped to do.
  3. Demetriou is British, of Greek heritage.
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Besides an abundance of British TV credits, Demetrious has a background in stand-up comedy, and has created/written for the British TV series MIDNIGHT BEAST and YEAR FRIENDS, ASSIGNMENT X: You speak with an English accent in real life, but Nadja sounds Eastern European.

When you were cast, do you know if the thinking was, “Well, we think of vampires as being either Transylvanian or British,” and did they give you a choice as to her accent? NATASIA DEMETRIOU: No, I think the script really was prescriptive as to how she spoke, and also, I know Jemaine’s wife is Greek, and we share lots of funny stories, because my father’s Cypriot.

So to me, it made a lot of sense that she has an accent, because she can’t pronounce the name “Jeff.” Jeff, her secret lover, she can’t pronounce his name. She’s like “Jess,” “Jesk.” AX: Before you became involved with WHAT WE DO IN THE SHADOWS, were you a fan of either vampires or mockumentaries? DEMETRIOU: Oh, yes, of course.

  1. Christopher Guest’s BEST IN SHOW, they’re my favorite films, and then WHAT WE DO IN THE SHADOWS I thought was amazing.
  2. I loved TWILIGHT so much.
  3. So yeah, big fan.
  4. Natasia Demetriou as Nadja in WHAT WE DO IN SHADOWS – Season 1| ©2019 FX/Matthias Clamer AX: How does Nadja view her relationship with Beanie Feldstein’s character, who she turns into a vampire? DEMETRIOU: She loves Beanie so much.

I think Beanie and her relationship shows a real kind side of Nadia. She wants to look after her and help her, and mothers her. Because she doesn’t have children, it’s her mothering quality. a lover. I think it gave my character a chance to be really, really weird, because the boys are quite goofy.

And then when I’m with her, I’m an absolute psychopath, which is perfect. And I hope lots of women can relate to being psychopaths. AX: Do you ever get to decide when your character gets especially vampiric, or is that always scripted? DEMETRIOU: Some of it’s scripted. Some of it, we’d end up improvising a fight.

If in doubt, bare your teeth, just get annoyed and bare your teeth. AX: Was it difficult adjusting to the fangs? DEMETRIOU: In the pilot, the first time I hissed, my teeth shot out. Like all vampires when they hiss.

  • AX: Do you have to go up on flying wires when Nadja goes airborne?
  • DEMETRIOU: All the time.
  • AX: What’s that like?

DEMETRIOU: Incredible. It’s so much fun. It’s actually way more fun being up in the air. It’s so uncomfortable when you’re on the ground, but when you’re up in the air, you’re like, “This is great.” But you have to wear a big harness, and you feel like a big newborn baby, because you can’t do anything for yourself.

  1. AX: And what would you most like people to know about WHAT WE DO IN THE SHADOWS?
  2. DEMETRIOU: That it’s a funny show that will cheer you up, that will give you a good laugh, and people have worked really hard on it.
  3. This interview was conducted during FX’s portion of the Winter 2019 Television Critics Association (TCA) press tour.
  4. Follow us on Twitter at Like us on Facebook at

Does Nadja speak Greek?

Tropes: –

Arbitrary Skepticism : Nandor, Laszlo, and Colin Robinson, three different vampires who have met werewolves, necromancers, zombies, babadooks, etc., don’t believe in ghosts. Guillermo attempts to question this, but they don’t get his point. Bilingual Bonus : Nandor’s ghost speaks Farsi throughout the episode. “Where am I? Whose house is this?” “Who are you? Eat my sword!” “Sir, where’s my horse? You don’t understand what I’m saying to you?” “Good morning? So you DO understand what I’m saying? Where is my horse?” “This donkey doesn’t even understand his own language. Shame is a good thing to have. Oh! There is my horse! My horse, Jahan.” “My honey. My dear.”

Nadja’s ghost also speaks Greek at her, although not as extensively because apparently Nadja was already bilingual in English before she died. Her Greek dialogue mostly comes in the form of Foreign Cuss Words, like “melaka” (“idiot” or “wanker”), “Panagia Mou!” (“My Virgin (Mary)!”, i.e. “My God!”) and condescendingly calling Vampire!Nadja “vre paidi mou” (“my child”). The incantation that Nadja uses for the seance is also a real incantation in ancient Greek, which the creative team double-checked with a professor for accuracy.

Call-Back : Nandor’s ghost’s somewhat colorful phrasing in Farsi “Eat my sword!” comes a short time after Vampire!Nandor screaming “Get ready to swallow my sword!” to Jeff’s ghost in English. Creepy Doll : Possessed by Nadja’s human ghost. The Fog of Ages : Apparently Nandor has forgotten how to speak his own first language after years of disuse.

Future Me Scares Me : Nadja’s ghost can’t help but be disgusted by the shiftless layabout that her vampiric self has become. Horrifying the Horror : Ghost Gregor/Jeff actually manages to frighten the vampires when he transforms his decapitated head into a demonic face. I See Dead People : Seemingly played straight at first, with Laszlo not being able to see the ghost of Gregor/Jeff that Nadja is talking to.

It’s quickly revealed that he was just pretending not to see him, as the minute he’s out of their eyesight, he rushes to Nandor to warn him. Literal Split Personality : This episode brings us the provocative addition to vampire lore that, because a vampire is a soulless undead version of the living human that they once were, their human soul must exist as a separate entity, and thanks to the Dark and Troubled Past that leads to becoming a vampire, might well have survived as a ghost with Unfinished Business,

Our main vampire characters all get the chance for some Character Development by confronting a version of themselves as they were when they were human. Lost Language : Nandor has a language barrier with his ghost, having only remembered how to say “Good morning” in his native tongue. Meaningful Echo : Nandor only remembers how to say “Good morning” in his own language, which initially confuses and enrages his ghost.

When Nandor summons the ghost of Jahan the horse to reunite with his ghost self, the two say “Good morning” in parting as a means of farewell, in the understanding that Jahan can finally be at peace with his ghost self and move on. Screw Yourself : Ghost!Laszlo seems to think that Vampire!Laszlo is the only one who can give him his final orgasm.

It seems to be the one sexual act he isn’t interested in doing, and he refrains from mentioning any of it, “Shaggy Dog” Story : The inciting incident of this episode, Jeff/Gregor’s ghost reappearing and demanding Nadja help him with his unfinished business, goes completely unresolved— despite his apparent torment, Nadja’s decided that she has no more time for any man but her husband, and he meekly lets himself get chased off.

Sure, Let’s Go with That : Nadja asks if the slime covering the room is ectoplasm and Laszlo quickly affirms that yes, that’s exactly what it is. Unfinished Business : The four ghosts each have a reason for their being:

Gregor/Jeff wants to please Nadja and be with her. Nadja’s ghost wants to make sure she is living her fullest life, and remains in a doll to see it happen. Nandor wishes to be reunited with his horse, whom he was forced to eat. Laszlo wants to finish the sexual climax he was denied in life.

Unusual Euphemism : One of the Bilingual Bonus moments in this episode is Nandor’s ghost cursing with the word “Shambalileh!”, which is the name for the herb fenugreek. What’s a Henway? : Colin Robinson tries several times to land the “Updog” variant. He resorts to summoning his grandmother’s spirit just to get a proper reaction.

Does Nadja love Laszlo?

What We Do In The Shadow s not only has season 4 around the corner but also has been renewed for seasons 5 and 6, ensuring more adventures featuring the beloved vampiric cast. Although the last episode of season 3 left fans wondering about Colin Robinson, there are also questions surrounding how Laszlo and Nadja will fare in the aftermath of the season finale.

Did Nadja turn Laszlo into a vampire?

Main –

  • as Nandor the Relentless – Once the bloodthirsty leader of the fictional kingdom of Al-Quolanudar in southern and a warrior serving the, At age 760, he is the oldest vampire and the self-proclaimed leader of the group, leading him to frequently calling house meetings for frivolous discussions. Although he genuinely cares for his human familiar Guillermo, he has difficulty expressing it. Nandor is also quite naive to the ways of modern society and humans, which often results in Guillermo becoming frustrated with him. He is a massive fan of the 1992 and collects much of their memorabilia; they also inspired him to apply for American citizenship, but he fails his test after being physically unable to say the phrase One Nation, Under God,
  • as Leslie “Laszlo” Cravensworth – A 310-year-old vampire who was turned by Nadja and is now married to her. He is pansexual and a former, who is often preoccupied with thoughts of ; he enjoys sexual relationships with both Nadja and Nandor. He also enjoys making of in the yard, including those of his wife and mother. He confessed in season 1 to having been, In season 2, he briefly goes on the run and assumes the alias “Jackie Daytona”, a “regular human bartender” in (which he chose because it sounded like ).
  • as Nadja of Antipaxos – A 500-year-old vampire who turned Laszlo into a vampire and later married him. She is frequently frustrated with her male housemates and nostalgic about her human life. She has entertained an affair with a reincarnated knight named Gregor for hundreds of years, only for him to be decapitated in every reincarnation. In season 3, she reveals that she frequently collaborated with the and later becomes manager of her own vampire nightclub in season 4.
    • Demetriou also plays Nadja’s human ghost, split from its corporeal form when Nadja was turned into a vampire, who inhabits a doll, which has appeared since the second season.
  • as Guillermo de la Cruz – Nandor’s long-suffering, Despite his frustration with his unreasonable workload and Nandor’s disregard for his mortality, he has served his master for more than a decade in the hope of being made a vampire, a dream inspired by in the 1994 film, Late in season one, Guillermo discovers that he is a descendant of the famous vampire hunter, and he proves to be very skilled at killing vampires (including by accident), giving him conflicting feelings about his desire to become a vampire. Guillermo’s skill as a vampire slayer leads to him becoming a bodyguard for Nandor, Nadja, and Laszlo in the third season. He reveals he is gay in the fourth season, coming out to his family, with Nadja having to erase their memories about Guillermo’s confession about wishing to become a vampire.
  • as Colin Robinson (and Baby Colin “The Boy” in season 4) – An who lives in the basement. He lives by draining humans and vampires of their energy by being boring or frustrating. As a “day walker”, he is not harmed by sunlight or entry into churches and is able to work in a cubicle office and feed on his coworkers’ frustrations. Unlike the others, he shows no outward sign of vampirism except that his irises glow when he feeds on energy, and his reflection shows a pale and decrepit version of himself. The others are continually annoyed by him and often try to avoid associating with him, although they are entirely dependent on him as he is the only source of income into the house. In the third-season finale, following Colin Robinson’s 100th birthday, he dies and his infant offspring (also portrayed by Proksch) bursts out of his chest; Laszlo (having become friends with the original Colin Robinson) elects to raise the child as his own. In the finale of season 4, Colin Robinson’s offspring, having rapidly grown to adulthood, discovers a hidden room filled with Colin Robinson’s diaries, and regains Colin Robinson’s memories as a result, forgetting his time as a child to Laszlo’s disappointment. In season 5, he reveals his birth name is Arthur Simon Santino and Colin Robinson is a pseudonym he created to avoid having the initials “A.S.S.”.
  • as The Guide (also known as the “Floating Woman”) – An envoy of the Vampiric Council who likes to float and sometimes speak in a demonic voice. She frequently expresses her desire to be socially accepted by the other vampires, yet is almost always rejected. In season 4, she works for Nadja as she turns the Vampiric Council’s headquarters into a nightclub. (season 5–present; guest season 1; recurring seasons 3–4)

Who is Nandor in love with?

Nandor Proves His Love for Guillermo in the What We Do in the Shadows Season 5 Finale Harvey Guillén and Kayvan Novak in What We Do in the Shadows (Photo: FX/Hulu) Nandor (Kayvan Novak) and Guillermo (Harvey Guillén) aren’t a typical will-they/won’t-they couple. Five seasons into the series, their back and forth is often between whether they actually like or respect each other at all.

Guillermo has an undying love of some sort for Nandor as his familiar, but he seems unsure of what that love actually means, and Nandor’s refusal to turn him into a vampire weakened that affection time and time again. And while there is a simmering sexual tension between the two, it’s not always obvious — besides, the hypersexual vamps in What We Do in the Shadows have off-the-charts physical chemistry with everyone they encounter.

If Nandor and Guillermo really are endgame, it seems like it will be a very slow burn. In recent seasons, Nandor has been more open about his feelings toward Guillermo. He’s saved him from certain death on more than one occasion, always coyly reverting to the excuse that no one will kill his familiar but him.

When Nandor got married, he asked Guillermo to be his best man. In the penultimate episode of Season 4, “Freddie,” Nandor showed he was so jealous of Guillermo’s relationship with his boyfriend that he inadvertently destroyed it by trying to replicate it for himself. There’s plenty to read into the motivation behind each of these moves, of course, but none have been a blatant or even conscious display of affection on Nandor’s part.

In the Season 5 finale, “Exit Interview,” however, Nandor’s actions send a clear message. He knows Guillermo better than he knows himself, and he gives him exactly what he’s been too afraid to ask for even though it means besmirching vampiric tradition, proving his love for his longtime familiar.

  1. Nandor finally discovers the secret Guillermo’s been hiding from him all season: another vampire turned him.
  2. It’s an extreme act of disrespect that means Nandor must kill both him and his sire, Derek (Chris Sandiford).
  3. Guillermo manages to get a head start and hides out at a motel, successfully avoiding Nandor who is convinced he’ll be able to attack when Guillermo returns to a local Panera Bread.
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At the motel, Guillermo gets another unexpected display of affection. Nadja (Natasia Demetriou), Colin Robinson (Mark Proksch), and Lazlo (Matt Berry) all stop by under different pretenses, yes, but to ultimately share how much they’ll miss Guillermo once Nandor kills him.

His work for his vampiric roommates didn’t go unnoticed all those years, and in what they believe to be his final moments, he finally gets the acknowledgement he’s craved since day one. Patton Oswalt (in a cameo as himself) helps Nandor realize that he would miss Guillermo if he wasn’t around. Instead he returns to give Guillermo what he’s thought he wanted all along, turning him into a full vampire.

(His transformation wasn’t complete because he never drank human blood, something that Laszlo failed to realize in his many, many, many failed experiments throughout the season.) There’s a sadness to Nandor as he offers Guillermo the final ingredient.

It’s not because he’s unhappy to be losing a familiar or that he’s still holding a grudge against Guillermo for going to someone else for his transformation. It becomes clear that it’s because he’s known this whole time that Guillermo would hate being a vampire. Nandor understands that the life he lives is cursed, not magical.

In Season 3, he went on a pursuit of greater purpose, searching for a satisfying career, a longtime companion, religious fulfillment, and a new outlook on life. His lack of success in doing any of those things sent him into an existential spiral in Season 4, when he was ready to end his life for good.

He knows the darkness that comes with eternal life and seems to feel it more heavily than his vampire companions, and it’s something that Guillermo as a human could never fathom. Nandor also knows that Guillermo has too good a heart to be a ruthless murderer of anything but vampires, especially with Van Helsing blood pumping through his veins.

And that point is proven when Guillermo finally goes full vamp — while the others rejoice in the killing spree, Guillermo can’t even break skin on an already unconscious man. It’s the sign that Nandor needs to concoct a plan. The final scenes of the episode are dedicated to what Nandor tells Guillermo is an ancient ritual performed for all new vampires.

He gathers everyone in cloaks, puts up some superfluous banners to make everything seem more official, and gives Guillermo a final out, asking, “Would you rather be a human or a vampire?” When Guillermo whispers “human,” Nandor puts the plan into motion. “As I predicted,” he says. “You want to be a human, there’s no shame in that.” There is another ancient ritual Nandor discovered to reverse the effects, it just involves killing Derek.

When Guillermo can’t do it himself, Nandor swiftly steps in to do the deed to ensure that Guillermo can return to the life he truly wants. If that’s not a grand romantic gesture, then what is? What We Do in the Shadows Seasons 1 through 5 are streaming on Hulu.

Is Nandor from Iran?

3. He’s from a contentious moment in Iranian history that illustrates how multi-cultural Iran has always been. – So, if you all read that previous article about Iranian modernity, you may have noticed the extreme Persian ethnocentrism taking place. In case you didn’t, due to the influence of European eugenicists’ texts coupled with the logics and projects of nationalism, the Iranian government sought to alter history and present Iran as always being an entirely ethnically Persian land, free of racial and ethnic diversity,

Enter Nandor. First of all, he’s not even Iranian. He’s from the fictional kingdom Al Qolnidar, which, according to the show, is now part of what is now modern day southern Iran. Yeah, I’ve been erasing Nandor’s identity this whole time. My bad. He is also from a period in medieval Persian history where the lands that contend contemporary Iran was part of the Ilkhanate, which included countries from Armenia to Pakistan, and was ruled by the Mongols.

Nandor also fought for the Ottoman Empire and was born during the Berke-Hulagu war, which was a fight between two Mongol leaders who, among other accomplishments, had just conquered Persia, raided Poland, and added Mesopotamia to the Mongol Empire. Yep, seems like Iran’s just been one type of guy this whole time.

Is Guillermo attracted to Nandor?

Is ‘What We Do in the Shadows”s Guillermo Demisexual? — Gayly Dreadful – Bursting out of your closet with the latest horror reviews Nadja What We Do In The Shadows From moments into the pilot episode when both Nadja and Laszlo individually confess to having sexual affairs with Baron Afanas, What We Do in the Shadows has always been casually yet delightfully queer. As many fans of the show know by now, the vampires are clearly pansexual, although these labels are not used in the series.

Nandor has his harem of 37 “girl wives” and “guy wives” brought back from the dead, Nadja’s human lover Gregor was once reincarnated as a washerwoman among many other forms and as for the extremely licentious Laszlo? “Anything gets me hard”, he nonchalantly announces to the cameras. It’s not just the vampires that are LGBTQIA+.

Long-suffering familiar/ bodyguard/ eventual badass Guillermo de la Cruz (played wonderfully by Harvey Guillén) came out as gay to his family in a very sweet and poignant scene in the show’s fourth season, and viewers were properly introduced to his boyfriend Freddie in the season’s penultimate episode. Nadja What We Do In The Shadows For context, demisexuality is when someone eventually experiences sexual attraction to a person through an emotional bond developed with them rather than instantly at first glance. It comes under the asexuality umbrella, a part of the LGBTQIA+ community which is already sorely underrepresented in mainstream culture (including the horror genre, where sexuality is a prominent trope.

This may be thanks to its roots in gothic literature but that’s another story.) Positive representation from the ace community (such as asexual activist and model Yasmin Benoit and the character Todd from BoJack Horseman) helps to show that asexual people can still fall in love and happily be either sex-favourable, indifferent or rather uncomfortable with the idea.

This, of course, includes demisexuals, and with this in mind, demisexuality seems to fit Guillermo rather well. Guillermo does show signs of asexuality throughout the show. Unlike the highly promiscuous vampires, he appears to have no sexual interest, needs or desire whatsoever.

  1. Yes, Guillermo has had a strict Catholic upbringing but that’s not to say asexuality doesn’t play a part in it either.
  2. As mentioned before, it is definitely possible to be sex-favourable without having the desire to engage in sexual activity directly, especially in asexuality.
  3. And it’s difficult to imagine the average vampire’s familiar lasting very long in their career if they weren’t sex-favourable, or at least indifferent.) A notable example of Guillermo’s asexuality is in Season 1’s episode “The Orgy”, in which the vampire residence has been selected to host the Bi-annual Vampire Orgy, a very important social event in vampire culture.

Yet despite its significance to vampires, and considering how badly he wants to become one himself, Guillermo shows no excitement to be involved, something which he has shown to previous important vampire engagements (such as the Baron’s visit). He becomes increasingly uncomfortable when faced with more and more of the vampires’ outrageous demands as they prepare for the orgy, such as describing the sexual activity going on due to the lack of mirrors.

Guillermo even proceeds to tell the cameras in an interview at one stage “I don’t kiss and tell and I don’t kiss.” Another example of hinting that Guillermo could be asexual is in Season 3’s “The Casino” when Laszlo and Nadja tease Guillermo into revealing if he has a love life. This is followed by Laszlo’s notable and very open speech about “how everyone fucks and sucks” (which some asexuals can heartily disagree to).

Throughout this oration, Guillermo looks as if he would rather be anywhere but there. This leads to Guillermo’s eventual relationship with Freddie (Al Roberts) in Season 4. Guillermo adores his British boyfriend, who he admits is the first person he has ever “dated dated”. Nadja What We Do In The Shadows So what could make Guillermo demisexual rather than ace? The answer to that can lie in his relationship with his master, Nandor the Relentless (Kayvan Novak). Dubbed “Nandermo” by many Shadows fans who ship the two, the relationship between Nandor and Guillermo has been perfectly described by as “the long-running, slow-burn will-they-won’t they couple queer fans have been waiting for”.

  1. Indeed, having served as Nandor’s servant for over ten years, the deep emotional bond between master and familiar is definitely there, which could be the key to whether Guillermo could be demisexual.
  2. While Guillermo was besotted with Freddie, he did describe the relationship as a “whirlwind romance”, meaning that there possibly hasn’t been a strong-enough emotional bond established yet—the fact that Freddie promptly left Guillermo for his clone may also highlight this.

When it comes to Nandor, however, Guillermo cares about the warlord greatly, knows him like the back of his hand and remains loyal to him, no matter how exasperated with his master he can be. In fact, in “The Cloak of Duplication”, it’s implied by Meg, an initial target of Nandor’s affection, that Guillermo could be in love with Nandor.

  • There were certainly some signs of jealousy when Nandor planned to propose to his on-off lover, Gail.
  • Likewise, self-centred and slightly ignorant Nandor also seems to return the sentiments.
  • He put his own afterlife on the line to save Guillermo in “The Trial”, and stands up for him during the third season’s premiere when Laszlo and Nadja want Guillermo killed, and in “The Wellness Centre”, Nandor openly admitted to developing “some affection” for Guillermo and that he cared for him too much to “burden” him with the “curse of being a vampire.

And let’s not forget how overly affectionate Marwa was towards Guillermo after Nandor wished that his bride would like everything that he liked. Nadja What We Do In The Shadows In regards to the sexual side of the relationship, Guillén, who identifies as queer himself, says in an interview with Advocate that Guillermo “always has borderline homoerotic moments with his master.” As well as touching emotional moments between the two, there have been some signs of sexual tension noted throughout.

The clearest examples have been in the form of physical fights between the two – one took place in Nandor’s room in the Season 3 finale, which was apparently a test of Guillermo’s physical and character strength. The other was the unforgettable battle in “The Night Market” where the two are unexpectedly forced to fight, causing tensions to flare.

Guillermo wins both duels, ultimately reflecting a challenge of power dynamics as well as sexual tension. In fact, the fluidity of their power dynamics could easily contribute to the sexual undertones of the relationship. With the aftermath of Season 4 and its cliffhanger finale, perhaps Season 5 may offer a chance to explore Guillermo’s sexual identity even further.

It’s clear he falls for men but whether he wants to sleep with them is, of course, another matter. Harvey Guillén and Guillermo are already wonderful healthy representatives across the board for the Latin, plus size, and LGBTQIA+ communities. So if Guillermo was also demisexual, it would be not only extra points for LGBTQIA+ but a positive and refreshing ace representation that is desperately needed from horror and mainstream culture.

If he were demisexual and were to become a vampire in Season 5, this could be a massive trope-breaker.

Why did Nadja turn Jenna into a vampire?

Nadja – The relationship that Jenna and Nadja have is close to that of mother and daughter. When Nadja first met Jenna she felt bad for the way the other members of Jenna’s LARP group were treating her, so Nadja decided to turn her into a vampire and take Jenna under her wing. The two get along very well and share many tender moments in the short time we see them together.

Who sired Nadja?

Baron Afanas – Nadja’s sire and former lover. They enjoyed an intense sexual affair before she went to Staten Island.

How did Laszlo become a vampire?

Life As A Vampire – One night, the vampire Nadja flew into his window and seduced him, before transforming into a hideous creature, biting him and turning him into a vampire, They were later married, despite the Sherwood Club objecting to it and later expelling him from the club due to Nadja’s lack of financial and social status.

This eventually lead to the two of them leaving England. Due to English society’s preoccupation with class, he decided to never return. The two of them have a seemingly open relationship. Throughout the years, Nadja had many affairs with Gregor and his reincarnations, and to prevent Nadja from having her heart broken he decapitated Gregor in each one of his lives.

Laszlo and Nadja both separately had an affair with Baron Afanas, who told him to take over the new world; unfortunately Laszlo was too distracted to hear him properly. Laszlo also slept with a former friend of Nadja’s, the witch, Lilith, as she had come to him disguised as Nadja.

Laszlo formed a musical duo with Nadja and composed several songs during the 18th and 19th century that would later be re-interpreted into other popular songs. The most notable examples include their “seafaring song”, composed in 1792 that would later become The Beach Boys’ song Kokomo, and an 1852 tribute to his local fishmonger’s wife, Chum on Irene, which would later become Come on Eileen by Dexys Midnight Runners,

Laszlo was not aware of the existence of these covers until 2020, but did notice when two of his other songs became re-interpreted into For He’s a Jolly Good Fellow and Row, Row, Your Boat, During the Victorian era, Laszlo killed many people in London and has confessed to being Jack the Ripper.

He would later produce a topiary structure dedicated to the vulva of Polly Nichols, his first victim as the Ripper. He did not tell anyone about this until he was facing execution for vampicide in 2019. Laszlo represented himself as a barrister in cases of soliciting and pornography, and he also defended several hogs and horses.

None of these were successful. Laszlo also gained maritime experience and sailed sloops, battleships, brigantines and the Titanic “for two seconds”. Some time before the 1840’s, Laszlo gained a witch skin hat from a Bavarian witch hunter who he was draining.

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He failed to realize it was cursed, and the hat caused several calamities, including the Irish Potato Famine, Nadja attempted to get rid of the hat, but it continually crawled back. Around 1853, Laszlo travelled to California in the hope of doing a deal with the Devil in order to become a better guitarist, not realizing that the Devil’s Crossroads was actually in Mississippi.

He rented a beach house in San Diego belonging to Jim the Vampire, and neglected to pay the final month’s rent and the security deposit. Jim was so angry that he spent the next 167 years looking for Laszlo. Laszlo and Nadja eventually sailed to New York on a ship with fellow vampire Simon the Devious, with whom Nadja most likely had an affair.

Laszlo brought his witch skin hat with him, making Simon jealous. Laszlo and Nadja settled in Staten Island while Simon went to Manhattan and quickly took over the city’s vampires. He set up a vampire nightclub, The Sassy Cat Club, which Nadja, Laszlo and eventual roommate Nandor frequented during the 1920s.

From the late 1800s to the 1990s, Laszlo appeared in multiple pornographic movies. Sometime before 1932, Laszlo ran afoul of the Vampiric Council after turning a baby into a vampire out of boredom. Garrett, was incorrectly found guilty of the crime and sentenced to imprisonment underground at the Temple of Blood-Devourers, allowing Laszlo to walk free.

What is Gypsies real name?

Why are the Roma discriminated against? – Roma, singular Rom, also called Romany or Gypsies (considered pejorative), an ethnic group of traditionally itinerant people who originated in northern India but live in modern times worldwide, principally in Europe,

Most Roma speak some form of Romany, a language closely related to the modern Indo-European languages of northern India, as well as the major language of the country in which they live. It is generally agreed that Roma groups left India in repeated migrations and that they were in Persia by the 11th century, in southeastern Europe by the beginning of the 14th, and in western Europe by the 15th century.

By the second half of the 20th century they had spread to every inhabited continent, Many Roma refer to themselves by one generic name, Rom (meaning “man” or “husband”), and to all non-Roma by the term Gadje (also spelled Gadze or Gaje; a term with a pejorative connotation meaning “bumpkin,” “yokel,” or “barbarian”).

  • The group is known by a variety of names throughout Europe—including Zigeuner and Sinti (Germany), Gitans (France), Cigány (Hungary), Gitanos or Calo (Spain), and Ciganos (Portugal)—the Middle East, and North Africa, where they are known by a great variety of names, especially Dom,
  • Many Roma consider the name Gypsy to be pejorative.

Others prefer their own ethnonym and object to being called Roma. Because of their migratory nature, their absence in official census returns, and their popular classification with other nomadic groups, estimates of the total world Roma population range from two million to five million.

No significant statistical picture can be gained from the sporadic reporting in different countries. Most Roma were still in Europe in the early 21st century, especially in the Slavic-speaking lands of central Europe and the Balkans. Large numbers live in Romania, Bulgaria, Serbia, Montenegro, Macedonia, Croatia, Bosnia and Herzegovina, Slovenia, the Czech and Slovak republics, and Hungary,

The exotic stereotype of the nomadic Gypsy has often disguised the fact that fewer and fewer may have remained truly migratory, although this point is controversial. It is clear, however, that Roma nomadism has been largely insular in character. All nomadic Roma migrate at least seasonally along patterned routes that ignore national boundaries.

They also follow along a chain, as it were, of kin or tribal links. The Roma’s own supposed disposition to wander has been forcibly furthered by exile or deportation. Only 80 years after their first appearance in western Europe in the 15th century, they fell under the penalty of banishment in almost all the nations of western Europe.

Despite their systematic exile, or transportation abroad, however, they continued to reappear in one guise or another back in the countries they had left. All unsettled confederations who live among settled peoples seem to become convenient scapegoats.

  1. So it is with the Roma, who have regularly been accused by the local populace of many evils as a prelude to later official and legal persecution.
  2. Their relations with the authorities in the host country have been marked by consistent contradiction.
  3. Official decrees were often aimed at settling or assimilating them, yet local authorities systematically refused them the bare hospitality of a campsite.

During the Holocaust the Nazis murdered an estimated 400,000 Roma. French laws in modern times forbade them campsites and subjected them to police supervision, yet they were taxed and drafted for military service like ordinary citizens. Spain and Wales are two countries often cited as examples where Roma have become settled, if not wholly assimilated,

In modern times the socialist countries of eastern Europe attempted programs of enforced settlement to end Roma migration. Traditionally the Roma have pursued occupations that allowed them to maintain an itinerant life on the perimeters of settled society. The men were livestock traders, animal trainers and exhibitors, tinkers (metalsmiths and utensil repairmen), and musicians; the women told fortunes, sold potions, begged, and worked as entertainers.

Before the advent of veterinary medicine, many farmers looked to Roma livestock dealers for advice on herd health and husbandry. Get a Britannica Premium subscription and gain access to exclusive content. Subscribe Now Modern Roma life reflects the “progress” of the Gadje world. Travel is by caravans of cars, trucks, and trailers, and livestock trading has given way to the sale of used cars and trailers.

  • Although mass production of stainless steel pots and pans has rendered the tinker obsolete, some urban Roma have found employment as car mechanics and auto body repairmen.
  • Some Roma are still itinerant, but many others have adopted a settled lifestyle, practicing their trades or working as unskilled wage labourers.

Traveling circuses and amusement parks also provide employment for modern Roma as animal trainers and handlers, concession operators, and fortune-tellers. The archetypal Roma family consists of a married couple, their unmarried children, and at least one married son, his wife, and their children.

  1. Upon marriage, a young couple typically lives with the husband’s parents while the young wife learns the ways of her husband’s group.
  2. Ideally, by the time an older son is ready to move away with his family, a younger son will have married and joined the household with his new wife.
  3. Although the practice had declined significantly by the late 20th century, marriages traditionally were arranged by the elders in the family or band ( vitsa ) to strengthen political and kinship ties to other families, bands, or, occasionally, confederations.

A central feature of Roma marriages was the payment of a bride-price to the parents of the bride by the parents of the groom. The Roma recognize divisions among themselves with some sense of territoriality emphasized by certain cultural and dialectal differences.

Some authorities delineate three main confederations: (1) the Kalderash (smiths who came from the Balkans and then from central Europe and are the most numerous), (2) the Gitanos (French Gitans, mostly in the Iberian Peninsula, North Africa, and southern France, strong in the arts of entertainment), and (3) the Manush (French Manouches, also known as Sinti, mostly in Alsace and other regions of France and Germany, often traveling showmen and circus people).

Each of these main divisions was further divided into two or more subgroups distinguished by occupational specialization or territorial origin or both. There has never been on record any one authority, either congress or “king,” accepted by all Roma, although “international” congresses of Roma have been held in Munich, Moscow, Bucharest, and Sofia (1906) and at Rowne in Poland (1936).

  • Nevertheless, the existence of political authorities among the Roma is an established fact.
  • Those who affected noble titles such as “duke” or “count” in their early historical dealings with local nationals were probably no more than chieftains of bands, who moved in groups of anything from 10 to a few hundred households.

These chieftains ( voivode s) are elected for life from among outstanding families of the group, and the office is not heritable. Their power and authority vary according to the size of the band, its traditions, and its relationships with other bands within a confederation.

It was the voivode who acted as treasurer for the whole band, decided the pattern of its migration, and became its spokesman to local municipal authorities. He governed through a council of elders that also consulted with the phuri dai, a senior woman in the band. The phuri dai ‘s influence was strong, particularly in regard to the fate of the women and children, and seemed to rest much on the evident earning power and organization of the women as a group within the band.

Strongest among Roma institutions of social control was the kris, connoting both the body of customary law and values of justice as well as the ritual and formation of the tribunal of the band. Basic to the Roma code were the all-embracing concepts of fidelity, cohesiveness, and reciprocity within the recognized political unit.

The ultimate negative sanction of the kris tribunal, which dealt with all disputes and breaches of the code, was excommunication from the band. A sentence of ostracism, however, might exclude the individual from participation in certain band activities and punish him with menial tasks. In some cases rehabilitation was granted by the elders and followed by a feast of reconciliation.

Bands are made up of vitsa s, which are name groups of extended families with common descent either patrilineal or matrilineal, as many as 200 strong. A large vitsa may have its own chief and council. Vitsa membership can be claimed if offspring result through marriage into the vitsa,

Loyalty and economic cooperation are expected at the household rather than the vitsa level. There is no generic term for household in Romany, For cooperation, a man probably relies on an action-set composed of a circle of meaningful kinsmen with whom he is physically close and not, at the time, in dispute.

The Roma have been one of the vehicles through which folk beliefs and practices have been disseminated and, in areas where they are settled (e.g., Romania), have been positive guardians of “national” customs, dances, and the like, which had largely disappeared from rural life by the turn of the 21st century.

  • Their musical heritage is vast and encompasses such traditions as flamenco,
  • Although Roma have a rich oral tradition, their written literature is relatively sparse.
  • In the early 21st century Roma continued to struggle with contradictions in their culture,
  • Although they were forced less often to defend themselves against persecution from a hostile society, some amount of distrust and intolerance continued.

Perhaps the greater struggle they faced was the erosion of their lifestyles from urban influences in industrialized societies. Themes of familial and ethnic loyalty typified in Roma music helped to preserve certain beliefs, yet some of the younger and more talented exponents of this music were drawn away by material rewards in the outside world.

Is Nadia a Traveller or a vampire?

Nadia Petrova (Bulgarian: )was a major recurring character of The Vampire Diaries. She was a vampire and a member of The Travelers who was Katerina Petrova’s daughter, making her an ancestor of Elena Gilbert and a descendant of Amara.

What is a Romani Gypsy last name?

Common Gypsy names – You may have Romani, Traveller or Gypsy ancestry if your family tree includes common Romani or Gypsy surnames such as Boss, Boswell, Buckland, Chilcott, Codona, Cooper, Doe, Lee, Gray (or Grey), Harrison, Hearn, Heron, Hodgkins, Holland, Lee, Lovell, Loveridge, Scamp, Smith, Wood and Young.

Gypsies sometimes gave their children unusual first names, so you should look out for female Gypsy names such as Anselina, Athalia, Britannia, Cinderella, Clementina, Dotia, Fairnette, Freedom, Gentilia, Lementeni, Mizelli, Ocean, Reservoir, Sabina, Sinfai, Tryphena, Unity, Urania and Vancy. Male Gypsy names include Amberline, Belcher, Dangerfield, Elijah, Ezekial, Gilderoy, Goliath, Hezekiah, Liberty, Mackensie, Major, Nehemiah, Nelson, Neptune, Noah, Reuben, Sampson, Shadrack, Shady, Silvanus, Valentine and Vandlo.

However, you are just as likely to find that your Gypsy ancestors had perfectly common first names such as Mary, Esther, Joseph or Henry.

What ethnicity is Nandor?

From Wikipedia, the free encyclopedia Nándor is a Hungarian form of given name Ferdinand, In Old Hungarian, the word nándor signified ” Bulgar “, but it fell into disuse, probably soon after 1000 AD. It can refer to:

Nándor Dáni (1871 – 1949), Hungarian athlete Nándor Fettich (1900 – 1971), Hungarian archaeologist Nándor Fodor (1895 – 1964), British and American parapsychologist, psychoanalyst, author and journalist of Hungarian origin Nándor Hidegkuti (1922 – 2002), Hungarian footballer and manager Nándor Mikola (1911 – 2006), watercolor painter from Finland, born in Hungary Nándor Tánczos (born 1966), member of the New Zealand Parliament, representing the Green Party Nándor Wagner (1922 – 1997), Hungarian artist and sculptor Nándor, the Hungarian name for Nandru village, Pestișu Mic Commune, Hunedoara County, Romania

Nandor may refer to:

Nandor (Middle-earth), a division of the Elves in J.R.R. Tolkien’s legendarium Nandor the Relentless, a vampire in the sitcom What We Do in the Shadows

Do Nadja and Laszlo have an open marriage?

Nadja (Natasia Demetriou) is one of the main characters in the FX comedy What We Do in the Shadows, a mockumentary following a group of vampires (and the people who serve them.) The series is based on a concept from the 2014 film of the same name. From the beginning of the series, Nadja is open about her queerness.

She is in an open marriage to fellow bi vampire Laszlo, and the two frequently throw their own sex parties and talk of multi-gendered orgies of their past. We also get to see Nadja both recall and rekindle romances with past lovers the Baron and Gregor (a human lover who keeps getting reincarnated) as well as her encounter with Jenna which forms of a sort of seductive mentorship as she transforms into a vampire.

Nadja makes no apologies about who she is or who she’s attracted to, and has no problem standing up for what she wants throughout the series – flesh-bound desires or otherwise.

Why don t Nadja and Laszlo have familiars?

Yeah, it’ been a running gag in Season 1, that their familiar always got killed.