Artist Nainsukh Belongs To Which Sub School?

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Artist Nainsukh Belongs To Which Sub School
Expert-Verified Answer. Nainsukh belongs to Guler sub-school in the Pahari School of miniature painting.
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Which traditional art style were the artists Nainsukh and Manak associated with?

From Wikipedia, the free encyclopedia

Nainsukh
Self-Portrait at the age of 20
Born Nainsukh 1710
Died 1778
Nationality Indian
Known for Painting
Movement Pahari painting
Family Manaku (brother)

Raja Balwant Singh examining a painting with Nainsukh, 1745-1750. Rietberg Museum Raja Balwant Singh making a Hindu puja, c.1750 Raja Dhrub Dev assesses a horse; it was usual for horses to be shown off in front of a white sheet, to better appreciate their form Nainsukh (literally “Joy of the Eyes”; c.1710 – 1778) was an Indian painter, He was the younger son of the painter Pandit Seu and, like his older brother Manaku of Guler, was an important practitioner of Pahari painting, and has been called “one of the most original and brilliant of Indian painters”.

Around 1740 he left the family workshop in Guler and moved to Jasrota, where he painted most of his works for the local Rajput ruler Mian Zorowar Singh and his son Balwant Singh until the latter’s death in 1763. This is the best known and documented phase of his career. Through his adaptation of elements of Mughal painting, he was a central force in the development of Pahari painting in the middle of the eighteenth century, bringing Mughal elements into what had been a school mainly concerned with Hindu religious subjects.

In his final phase at Basholi, from about 1765 until his death in 1778, Nainsukh returned to religious subject matter, but retaining his stylistic innovations. By the end of his career, with an active family workshop continuing his style, he was probably not executing the works himself anymore, but leaving them to his children and nephew as his artistic heirs.

Such works are often ascribed to the Family of Nainsukh, According to B.N. Goswamy, the leading scholar of Nainsukh, “Devices and mannerisms associated with Nainsukh include: a preference for uncoloured grounds; shading through a light wash that imparts volume and weight to figures and groups; a fine horizontal line that separates ground from background; a rich green in which his landscapes are usually bathed; a bush with flat circular leaves that he often introduces; a peculiar loop of the long stem of a hooka; and a minor figure often introduced in a two-thirds profile.” Although a great part of his work may be lost, around a hundred works by Nainsukh survive, many in both Indian and Western museums.

Four of these bear his signature, and several have inscribed titles or comments. Unusually for Pahari painting, some are dated. There are at least two self-portraits, one from early in his career, and the other in a group scene with Balwant Singh, who is looking at a miniature, with the artist seated below him.
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What is the name of the traditional folk art of Rajasthan?

Some of the popular folk paintings of Rajasthan includeSanjhya painting, phadpainting, pichwai painting and miniature painting. Phad painting is originated in Bhilwara district of Rajasthan, India. It is a large painting on khadi or canvass. Small version of phad painting is known as ‘phadhye’.
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Which artist is Indian father and Hungarian mother?

Amrita Sher-Gil, Sher-Gil also spelled Shergil, (born January 30, 1913, Budapest, Hungary—died December 5, 1941, Lahore, India ), painter who was one of the pioneers of the modern movement in Indian art, Sher-Gil was born of an Indian father and a Hungarian mother.

  1. She had a precocious talent for painting that was noticed early, and she was encouraged in her pursuit by her uncle, Ervin Baktay, an Indologist and a former painter himself.
  2. During her childhood she lived at different times in both India and Europe.
  3. At 16 she entered the École des Beaux-Arts in Paris, where she was influenced by the work of Paul Cézanne, Amedeo Modigliani, and Paul Gauguin,

In 1934 she left Paris—where she had begun to have some success as an artist—and returned to India, inspired by the notion that her future as a painter lay there. Artist Nainsukh Belongs To Which Sub School Britannica Quiz Can You Match These Lesser-Known Paintings to Their Artists? In India, Sher-Gil’s first effort was to find a mode of delineation appropriate to her Indian subjects. Influenced in particular by the wall paintings of the Ajanta Caves in western India, she attempted to fuse their aesthetic with the European oil painting techniques she had learned in Paris.

  • Her style was in marked contrast to that of her contemporaries—Abanindranath Tagore, Abdur Rahman Chughtai, and Nandalal Bose—who belonged to the Bengal school, which represented the first modern movement of Indian art.
  • She considered the school retrograde and blamed it for what she called the stagnation that, in her estimation, characterized Indian painting of the time.

An exceptional colourist, Sher-Gil was able to achieve special effects with colours that were unbridled and bold, in direct contrast to the pale hues in vogue among her contemporaries. In 1937 she set out on a tour of South India, a journey that shaped and molded all her future work.

  • Her works from that period, her “South Indian trilogy” ( Brahmacharis, South Indian Villagers Going to Market, and Bride’s Toilet ), are startlingly different from the realist watercolour mode of Indian painting prevalent at the time.
  • Those paintings represented her experimentation with form and were her first attempt at assimilating the tremendous impact made on her by the cave paintings of Ajanta as well as by those of Ellora,

In 1938 she returned to Hungary, where she married her cousin Victor Egan. The couple spent a year there and then moved back to India, settling in Saraya, a small village in what is today Uttar Pradesh, where an uncle of hers had an estate. Always willing to experiment, there she turned for inspiration to 17th-century Mughal miniatures, applying their sense of composition and colour to the formal system she had developed from the Ajanta paintings.
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Who influenced Kangra school of painting?

Kangra Paintings Kangra painting is the pictorial art of Kangra, named after Kangra, Himachal Pradesh, a former princely state, which patronized the art. It became prevalent with the fading of Basohli school of painting in mid-18th century,and soon produced such a magnitude in paintings both in content as well as volume, that the Pahari painting school, came to be known as Kangra paintings.

In the middle of the 18th century A.D. when the plains of Northern India were convulsed by the invasion of Nadir Shah (1739), followed by the incursions of Ahmad Shah Abdah, a strange event took place in the Punjab hills viz. the birth of the Kangra School of Painting at Haripur-Guler under the patronage of Raja Govardhan Chand (1744-1773), a prince with a refined taste and passion for painting.

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He gave asylum to refugee artists trained in the Mughal Style of painting. In the inspiring environment of the Punjab Himalayas with their beautiful green hills wave-like terraced paddy-fields and rivulets fed with the glacial waters of the snow-covered Dhauladhar, the Mughal style with its sensitive naturalism blossomed into the Kangra style instead of painting flattering portraits of their masters and hunting scenes, the artists adopted themes from the love poetry of Jayadeva Bihari and Keshav Das who wrote ecstatically of the love of Radha and Krishna.

  • Thus, developed a school of painting with new spirit, whose artistic works are suffused with romantic love and bhakti mysticism.
  • Parkash Chand (ruled 1773-1790), the successor of Govardhan Chand, also continued the patronage of the artists.
  • The paintings in early Guler style were by the artist Pandit Seu and his two sons Nainsukh, Manak and his brother Gursouhae were in the employ of Raja Parkash Chand of Guler.

Raja Sansar Chand (1775-1823) attracted a number of talented artists from the court of Guler even when he was 20 years of age. He was the most renowned Raja in the Kangra Valley and was the most generous patron of the art of painting. It was under his patronage that Jaydeva’s Sanskrit love poem, the “Gita Govinda”, “Bihari’s Sat Sai”, “Bhagawat Purana”, the romantic tale of Nala and Damyanti, and Keshav Das’Raskapriya and Kavipriya were translated into paintings of exquisite beauty.

Manku, KhushalaKishan Lal, Basia, Purkhoo, Fatoo are also mentioned as artists in the employ of Sansar Chand and his son Ramdyal is also mentioned. These artist did not mention their names on the painting which also shows their selfless devotion to the art. To turn to the techniques of Kangra Painting, its chief features are delicacy of line, brilliance of colorand minuteness of decorative details, like the art of Ajanta, Kangra art is essentially an art of the line.

This imaging delicacy and fineness of the line was achieved by the use of fine brushes made from the hair of squirrels. The Kangra painters made use of pure colors like yellow,red and blue and these have retained the brilliance, even after two hundred years.

The central theme of Kangra painting is live and its sentiments are expressed in a lyrical style full of rhythm, grace and beauty. The recurring theme of Kangra painting whether it portrays one of the six seasons or modes of music, Radha and Krishana or Siva and Parvati is the love of man for woman and of woman for man.

The three main centers of Kangra painting are Guler, Nurpur and Tira-Sujanpur. Painting depicts ideas and values which guided life in society, sentiments and passions pictured in the language of brush and color make our experience rich and sensibilities sharp.

Miniatures are steeped in religious faith as they depict Puranic tales and stories from Ramayana and Mahabharata in minute detail. Sensitive depiction of literary works RasikPriya, Sat Sai and Rasmanjari, GeetGovinda and other works refer to the awareness of people. The episodes are most eloquent, colours most vibrant, brilliant and soft.

The brush is tender. Nature sublime. Animal & birds find place wherever necessary. The Nayika of miniature is Radha, the most beautiful woman on earth characterized by feminine grace and Porcelain delicacy and Nayak is none other than the blue God Krishna.

  1. We also see the hill Rajas modelling for the Nayak.
  2. Portraits of hill Rajas give us a glimpse into theircharacter, likes and attributes.
  3. But for the liberal patronage available this art would not have touched such High levels of excellence.
  4. Though the main centres of Kangra paintings are Guler, Basohli, Chamba, Nurpur, Bilaspur and Kangra.

Later on this style also reached Mandi, Suket, Kulu, Arki, Nalagarh and Tehri Garhwal (represented by Mola Ram), and now are collectively known as Pahari painting, covering the style that was patronized by Rajput rulers between the 17th and 19th centuries.

  1. Pahari paintings, as the name suggests, were paintings executed in the hilly regions of India, in the sub-Himalayan state of Himachal Pradesh.
  2. It is in the development and modification of Pahari paintings, that the Kangra School features.
  3. Under the patronage of Maharaja Sansar Chand, it became the most important center of Pahari painting.

To see some of these master pieces one can visit the Maharaja Sansar Chand Museum, adjoining the Kangra Fort in Kangra Himachal. This museum has been founded by the erst-while Royal Family of Kangra. For purchase of Kangra paintings one can contact on email id:- [email protected] : Kangra Paintings
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Who are the artist of Garhwal school?

From Wikipedia, the free encyclopedia A painting by Mola Ram depicting Shiva, done in the style of the Garhwal School of Painting. A painting by Mola Ram: Abhisarika Nayika, “the heroine going to meet her lover”. She turns back to look at a golden anklet, which has just fallen off. There are also snakes below and lightning above. Mola Ram or Maula Ram ( Devanagari : मौला राम ) (1743–1833) was an Indian painter, who originated the Garhwal branch of the Kangra school of painting,
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Who were the main artists of Bikaner school?

The Bikaner School of Painting – Posted on Dec 19, 2022 By Misha Jaswal Indian rituals and customs have deep connections with painting traditions. The Rajasthani school of painting developed from the interweaving of many such cultural practices. Indian art has been majorly inspired by Hindu mythology, local folklore and other religious and secular texts.

  1. The Rajasthani painting tradition incorporated these local traditions, and the ideas of ruling patrons.
  2. This split the Rajasthani painting tradition into various sub-schools such as Bikaner, Bundi, Kota, Kishangarh, Malwa, Marwar, and Mewar to name a few.
  3. Each of these painting traditions developed between the 16th and 19th centuries.

The Bikaner school of art was developed in the 17 th century by artists from the Mughal atelier. They were primarily at a loss of employment during the reign of Aurangzeb. Maharaja Karan Singh employed Ustad Ali Raza, a master painter from Delhi. His early works from the 1650s can be considered the beginning of the Bikaner school of Art. Artist Nainsukh Belongs To Which Sub School Bikaner tradition of painting is known for its refined elegance and subdued color palettes. There is use of finer brush strokes to provide detailing to the paintings. There is also a focus on forested backgrounds, and later, intricate architectural elements.

  • The natural elements within the paintings remain primarily dominant, intricately woven within the rest of the image.
  • The paintings generally depict individual scenes from larger stories.
  • The characters have fine details, as one would expect in miniature paintings, and are mostly depicted in a profile view.

It is rare to find front-faced depictions in Bikaner paintings. The characters adorn heavy jewels and can be found wearing typical Rajasthani attire, ghagra-choli and dhoti. However, people from other religions are depicted wearing their traditional dresses and turbans.

  1. The depiction of animals in Bikaner painting tradition is perhaps its most distinctive feature.
  2. It is similar to some Mughal style depictions, with animals painted in a realistic manner.
  3. The paintings are never flat and have a sense of depth to them.
  4. One of the most unique features of the Bikaner school of art is the custom of artist portraits.

These portraits, called Ustas or Ustad often had information about their ancestry. Master artist Ruknuddin, a celebrated Bikaner artist, amalgamated the Bikaner style with the Deccan painting traditions. He illustrated different religious texts such as Durga Satpsati, Ramayana and Rasikpriya.

  1. Some of the other well-known artists of the Bikaner school are Ibrahim, Isa, Nathu, and Sahibdin.
  2. There was a tradition to set up studios, or mandis where the artists worked under the supervision of a master artist.
  3. Many such mandis existed in Bikaner, and the paintings completed in mandis were signed under the master artist, even if they were stylistically different.
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However, in all such paintings, the master artist gave a few final touches called ‘ gudarayi’, meaning ‘to lift’. Artist Nainsukh Belongs To Which Sub School Out of all the Rajasthani painting schools, Bikaner is the closest to the Mughal miniature painting tradition, and hence, stylistically different from the other Rajasthani schools of art. It does not include folk elements, the use of bright shades, or completely natural depictions as in the other Rajasthani miniature paintings.
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Who was the first folk artist?

The earliest folk musicians include Woody Guthrie, Pete Seeger, Jimmie Rogers, and Burl Ives. Of the four, Woody Guthrie in the 1930s is often seen as the first significant contributor to the genre.
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Which artist in India is known as folk artist?

Top 5 Famous Folk Artists And Examples Of Their Folk Art – Mojarto Blogs By Gunjan Tripathi The Indian folk painting tradition is as old and diverse as the country itself. Folk and tribal arts are a rich legacy which are passed on from one generation to another, and continue as part of our cultural identity.

Urbanization has moved these disciplines out of their humble origins to the contemporary art market. Today some of the folk artists have gained much needed recognition in the art world, bringing awareness to their otherwise vastly unknown tribal culture and oeuvre. Here are some leading folk artists from India who have carved a niche for themselves and brought their folk art to the global art world stage.1.

Kalam Patuakalam patua Untitled by Kalam Patua is accredited as being one of the painters who single-handedly revived the dying tradition of painting. Born into a family of Patuas, he learned the art form from his father and grandfather and followed their traditional style of painting.

  1. However, the changing times made him introduce contemporary themes and subjects, moving away from conventional mythological themes in Kalighat painting.
  2. Over his 40 years of practice and dedication, he established himself as a pioneer of contemporary Kalighat painters.2.
  3. Baua Devi Untitled by Born to a Brahmin family in Bihar, Baua Devi spearheaded painting.

In 1966, noted crafts connoisseur Pupul Jaykar chose Baua Devi as one of the first artists from the Mithila region to transform traditional Maithili patterns onto white sheets of paper. Today, after attaining popularity and commercial success across the globe, Baua Devi is an inspiration to generations of Madhubani painters. Jangarh belonged to the Pradhan-Gond community of Mandla district in Madhya Pradesh. His talent was discovered by J Swaminathan, who brought him to Bharat Bhavan in Bhopal, where he perfected his art. He developed his own style which was a beautiful amalgamation of tribal and contemporary art. Artist Nainsukh Belongs To Which Sub School Gond Painting by Bhajju Shyam An apprentice of Jangarh Singh Shyam, well known Gond artist Bhajju Shyam has exhibited extensively in the Museum of London and on tour in the UK, Germany, Holland, Italy, and Russia. His books on illustrations have attained widespread popularity and sold more than 30,000 copies. Warli painting by Jivya Soma Mashe Born in Maharasthra in 1934, Jivya Soma mashe is one of the most widely recognised names of, His fame within the community reached the ears of eminent artist Bhaskar Kulkarni, who further refined his raw artistic talent.
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What is the old name of Basohli?

Basohli (formerly Vishwasthali ) is a town near Kathua in Kathua district in the union territory of Jammu and Kashmir, India.
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What is another name for Basohli painting?

Pahari painting, style of miniature painting and book illustration that developed in the independent states of the Himalayan foothills in India.
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Who are the artists of Chamba school?

Pahari Styles of Painting This Pahari styles of painting developed in the S ub-Himalayan states that were also under the umbrella of Mughal overlordship. There were many schools that were flourishing in smaller kingdoms, which came under the blanket of ‘Pahari Paintings’.

Jammu or Dogra School: Northern Series Kangra School: Southern Series

The themes that were painted ranged from mythology to literature and brought new techniques to the fore. A typical Pahari painting would bring several figures into the canvas and they would all be full of movement. Each figure is different in composition, colour, and pigmentation. Two of the greatest figures of this school are Nainsukh and Manaku, Kangra School of Paintings: After the decline of the Mughal Empire, many artists trained in the Mughal style migrated to the Kangra region as they got patronage by Raja Goverdhan Singh in 1774. It led to the birth of Guler Kangra School of paintings. It first evolved in Guler then came to Kangra.

This school reached its zenith under the patronage of Raja Sansar Chand at Sujanpur Tira. His paintings were marked with a sensuality and intelligence that the other schools lack. The most popular subjects were the Gita Govinda, Bhagwata Purana, Baramasa, Satsai of Biharilal, Rasikpriya of Keshvadas and Nal Damyanti,

All the paintings had an other worldly feel about them. Another very famous group of paintings is the “Twelve months” where the artist tried to bring forth the effect of the twelve months on the emotions of human beings. This emotive style was popular of the 19th century. The paintings created in the Pahari School in the 17th century were called the Basholi School. This was the early phase and expressive faces with a receding hairline and big eyes that are shaped like lotus petals characterize it. These paintings use a lot of primary colors as symbols, i.e., red for love, yellow for love and green.

They used the Mughal technique of painting on clothing but developed their own styles and techniques. This is the earliest known hill school of paintings in the region. The first patron of this school was Raja Kirpal Singh who ordered the illustration of Bhanudatta’s Rasmajari, Gita Govinda and the Ramayana drawings,

The most famous painter of this school was Devi Das who was famous for his depiction of Radha Krishna and the portrait of kings in their livery and in white garments. The contrast of colors is associated with this school and they stylistically borrowed from the Malwa paintings.

Arki was the capital of Baghal state in Shimla Hills (present-day district Solan). Arki school was influenced by Basholi School of Paintings but later Kangra style was adopted. The paintings of School deal with Shiva-Parvati, Krishna legend, and Nayak-Nayika themes of Rasikpriya of Keshvadas. Basholi Kalam was flourished in Arki under the patronage of Rana Mehar Chand (1723-43) and Rana Bhup Chand (1743-78). Later Kangra Kalam flourished under the patronage of Raja Jagat Singh, Saran Singh. Raja Kishan Singh of Baghal helped Kangra Kalam to flourish in the State.

Chamba School of Paintings:

The earlier painting of Chamba was influenced by Basholi Kalam but later influenced by Kangra Kalam. The central theme of Chamba Paintings was Vishnu in his two incarnations, Rama and Krishna, For the first time, Chamba paintings got royal patronage under Raja Udai Singh, In the 18th century, Nikka was the master artist of Chamba paintings.

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Which is the oldest folk art of India?

Prehistoric rock art – The pre-historic paintings were generally executed on rocks and these rock engravings were called petroglyphs, These paintings generally depict animals like bison, bear, tigers etc. The oldest Indian paintings are rock art in caves which are around 30,000 years old, such as the Bhimbetka cave paintings,
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Who is the father of modern art in Rajasthan?

From Wikipedia, the free encyclopedia Bhanwar lal Girdhari lal Sharma (5 August 1924 – November 2007), better known as B.G. Sharma, was a painter from Rajasthan, India, He is famous for his miniature devotional paintings and his rejuvenation and popularization of classic Rajasthan art, including the Mughal, Kishangarh, and Kangra styles.

  1. He is also well known for experimenting and mixing modern with traditional styles and producing some exemplary pieces of art.
  2. Sharma was born 5 August 1924 in Nathdwara, a small town near Udaipur,
  3. Nathdwara is home to the Shrinathji Krishna temple complex, which supports an artists community.
  4. Sharma’s family had been artists for generations.

Sharma has been exhibited internationally in London, Germany, and the United States, The Shri B.G.Sharma Art Gallery in Udaipur contains an extensive collection of his works. His father, Shri Girdhari Lal ji and grandfather, Shri Liladhar ji (also from Nathdwara), had an early influence on B.G.

  1. Sharma.B.G.
  2. Sharma, however, later broke away to evolve his own style.
  3. Former Indian Prime Minister Indira Gandhi, British monarch Queen Elizabeth II and former Australian Prime Minister Malcolm Fraser all commissioned portraits by Sharma.
  4. His various awards include India’s National Art Award for Master Craftsman.

A collection of Sharma’s artwork was published in September 2000 titled Form of Beauty: The Krishna Art of B.G.Sharma, He died in November 2007 at the age of 83.
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Which is the oldest Centre of Rajasthani art?

Rajasthani Painting Art – RajRAS | RAS Exam Preparation Painting art in Rajasthan dates back to pre-historic era. Numerous ancient evidences certainly confirm its glorious existence.

In 2010, Bundi-based archaeologist Om Prakash Sharma alias Kukki discovered 32 sites in the rock painting stretching over the basin of, The rock paintings are about 10,000-year-old and belong to Mesolithic-Chalcolithic period.

When the Rajasthani painting art was going through its formative phase, Ajanta tradition was infusing a new life into the painting art of India. In order to avoid the ravages of the Arab invasions, many artists had left Gujarat and settled in other parts of the country.

The painters who came to Rajasthan area, co-ordinated the style of Ajanta tradition with the local traditions. Till 12th century, Jain Granths and Jain Style (Also called as Gujarati or Apbransh Style) dominated the styles of Rajasthani Painting. In the 13 th century, a Mewar Jain painting style developed in the form of small illustrations of the Jain Tirthankaras and some themes from the Kalpasutras.

After 15th century, Rajasthani Painting style developed independently from Apbhransh style. Audh Niryukti Vritti & Das Vaikalika Sutra Churni are the oldest (1060 A.D.) surviving paintings of Rajasthan being kept preserved at Jaisalmer library.
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What is Basohli painting associated with?

Basohli painting, school of Pahari miniature painting that flourished in the Indian hill states during the late 17th and the 18th centuries, known for its bold vitality of colour and line. Though the school takes its name from the small independent state of Basohli, the principal centre of the style, examples are found throughout the region. Artist Nainsukh Belongs To Which Sub School Britannica Quiz Ultimate Art Quiz The stylized facial type, shown in profile, is dominated by the large, intense eye. The colours are always brilliant, with ochre yellow, brown, and green grounds predominating. A distinctive technique is the depiction of jewelry by thick, raised drops of white paint, with particles of green beetles’ wings used to represent emeralds.
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Which is the traditional form of folk painting in West Bengal?

ART & CRAFT – Home to a variety of unique art forms, borne out of the diverse range of culture in Bengal, the state attracts art connoisseurs from all over the globe. From embroidery to sculpture, sketching to metal crafts, the art and craft culture of Bengal has a unique rustic and mystic charm about it.

The most celebrated form of embroidery, Kantha is used on Saris, Dhotis, and Kurtas. The colourful and intrinsically created pieces of clothing are best used on Cotton and Silk and are widely used by foreigners and worn by natives alike. The terracotta craft of Bengal offers a more rural and pastoral charm.

A visual treat due to its natural colours, these clay modelled items first became a craze more than 500 years ago and are still used by locals and foreigners for decorative purposes. The art of engraving ornamental images on natural shells obtained from the ocean is known as Conch Shell Craft,

  • Found and sold in infinite quantities at beach destinations, theseglamorous looking decorative pieces are extremely auspicious in Hindu mythology.
  • Scroll Painting, a rare form of art that comes from regions of eastern India, particularly West Bengal, originated centuries back.
  • An important device through which Oral and Written Epics are narrated; scroll paintings feature single image paintings or long vertical multi panelled scrolls known as Patachitra.

Dokra Metal Craft is one of the most popular forms of art practiced in Bengal. This rare art is the practice of creating statues, idols, jewellery and other pieces with the help of clay, wax and molten metal. The unique feature of this craft is that it is completely original and no complete replica of it can be produced.

  1. Bankura Horses made from terracotta is considered auspicious in West Bengal.
  2. They are used during Bengali festivals and can be found adorned in any Bengali household.
  3. Sholapith craft is a milky white sponge wood that is used for crafting decorative pieces.
  4. Sholapith is popularly used to craft head wears of bridal couples, garlands, and images of gods and goddesses especially as backdrops during important festivals.

Last updated on: Monday, 2nd May, 2022 Information Source: Department of Information & Cultural Affairs(I&CA), Government of West Bengal
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Which traditional painting most of the themes are based on Hindu mythology?

Other regional styles – Madhubani painting is a style of painting, practiced in the Mithila region of Bihar state. Themes revolve around Hindu Gods and mythology, along with scenes from the royal court and social events like weddings. Generally no space is left empty; the gaps are filled by paintings of flowers, animals, birds, and even geometric designs.In this paintings, artists use leaves, herbs, and flowers to make the colour which is used to draw the paintings.
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What is the Basohli style of painting based on?

:: Parampara Project | Basohli Paintings :: Basohli Paintings is a fusion of Hindu mythology, Mughal miniature techniques and folk art of the local hills, evolved in the 17th and 18th centuries as a distinctive style of painting. This style of painting derives its name from the place of its origin – hill town of Basohli about 80 Km.

from the centre of district Kathua in the state of Jammu & Kashmir. The most popular themes of Basohli Paintings come from Shringara literature like Rasamanjari or Bouquet of Delight ( a long love poem written in 15th century by Bhanudatta of Tirhut Bihar ), Gita Govinda and Ragamala. These paintings are marked by striking blazing colors, red borders, bold lines and rich symbols.

The faces of the figures painted are characterized by the receding foreheads and large expressive eyes, shaped like lotus petals. The painting themselves are mostly painted in the primary colors of Red, Blue and Yellow. This style of painting was first introduced to the world in the annual report (1918-19) of the Archaeological Survey of India published in 1921.
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